Orson Welles's 1958 "Touch of Evil" is considered the last film noir of the classic period. Clute and Edwards investigate why it deserves this designation, arguing that it uses the conventions of noir in such a self-conscious manner that henceforth it will be impossible to tell a straight noir tale. Indeed the film is so self-conscious that it is no more a narrative than it is a demonstration of how to create film narrative. It is considered a great film for this reason, but also because it features myriad strong acting turns, stages Welles's dramatic demise as a Hollywood player, and contains story and character seeds that will come to fruition in films as different as "Psycho" and "Miller's Crossing." This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. Less