A solo by Chris White gives everyone the introduction to provide direction for this composition. Leonard makes his entrance fully 10 minutes into the track. This music is from a session I played with some fine musicians on tour in Ft. Worth. At Sardine’s, where they play live jazz 7 nights a week, I got together with Jhon Khasen (piano), Daniel Stone (bass), Chris White (bass/flute/trumpet), Leonard Belota (trumpet), and Joey Carter (vibes). I recorded this on a minidisk player next to the drumkit, so apologies for the heavy drums in the mix. Blogger Stashdauber Ken writes: johnny case, joshua manchester: most exciting music Ive heard so far this yr: an evening of free improv put together by pianist-composer-activist johnny case at sardines, of all places, featuring drummer joshua manchester. also on the set: leonard belota (trumpet), joey carter (vibes), daniel stone (bass), and mvp chris white (trumpet, flute, bass). johnny pulled it together on the quick when manchester called from his sweet home chicago to try and hustle a gig while accompanying his wife on a biz trip. tuesdays usually a dead night at the restaurant, and these cats dream about making music totally extempore, without the constraints of heads, chord changes, expectations, fans. the vibe was redolent of classic dates like dolphys out to lunch or cecil taylors unit structures. from moment to moment, a different man might be the leader, with the others listening and responding empathetically. when we got there, johnny was hammering out tone clusters a la cecil (i finally figured out who he reminds me of: jaki byard, a cat steeped in tradition who can also go outÂ�). this led to a dialogue between belota on ruminative harmon mute and chris white playing smears and flurries of notes on open horn. (when not playing, leonard had his eyes closed a lot of the time; id like to have seen the movies that this music was making inside his head.) joshua, can play total sprung riddim a la sunny murray or his homeski famoudou don moye; there were times when the only repeating figures onstage came from joey on vibes or young bassist stone. chris white opened one piece with a virtuosic turn on flute, which manchester, stone, and case built to an intensity. then white moved to bass, playing a legato line with lotsa intervallic leaps and the music spiralled to an even higher level. carter kicked one off with his usual deft four-mallet work, and case, white, and manchester rode it out till they had nothing left to add. there are moments when this music flows like a mountain stream; at others, it surges like an erupting volcano. at all times, its like looking at the world with new eyes. be nice if sardines could do this kinda thang on a regular basis. while not jam-packed, there were a good number of music appreciators in the house. if you werent there, you missed it, kid. Check out Kens blog at http://stashdauber.blogspot.com/ This is the 5th track of a set which lasted nearly two hours, and Ill be posting all the compositions here over a seven week period. My deepest heartfelt appreciation to Johnny Case for making this happen. Thanks! Josh Less