http://odeo.com/channels/77712-Vocal-Intros-and-Breaks-in-Popular-Music Minusbaby no <p>I&#8217;m recording sections of songs and transcribing them. Voice(s) in a song whih are without musical accompaniment and don&#8217;t reference the song they&#8217;re a part of harmonically, rhythmically or melodically.</p> <p>They&#8217;re just talking.</p> I&#8217;m recording sections of songs and transcribing them. Voice(s) in a song whih are without musical accompaniment and don&#8217;t reference the song they&#8217;re a part of harmonically, rhythmically or melodically. They&#8217;re just talking. I&#8217;m recording sections of songs and transcribing them. Voice(s) in a song whih are without musical accompaniment and don&#8217;t reference the song they&#8217;re a part of harmonically, rhythmically or melodically. They&#8217;re just talking. en-us 40 Sun, 19 Mar 2006 21:25:12 -0800 Sun, 19 Mar 2006 21:25:12 -0800 http://odeo.com/episodes/915659-Irene The beginning of “Irene” by Caetano Veloso from his 1969, self-titled album. - “Um, dois, três.” The beginning of “Irene” by Caetano Veloso from his 1969, self-titled album. - “Um, dois, três.” The beginning of “Irene” by Caetano Veloso from his 1969, self-titled album. - “Um, dois, três.” tag:odeo.com,2006-03-19,915659 Sun, 19 Mar 2006 21:25:12 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/911741-Church The intro to De La Soul’s “Church” released on their 2004 album “The Grind Date” - “Peace. This is Spike Lee AKA Shelton Jackson Lee AKA loving husband and father of Tanya, Satchel and Jackson. I’m here with De La Soul AKA De La AKA The Plugs. We’re about to get in this song ‘Church’ AKA it’s reality!.” The intro to De La Soul’s “Church” released on their 2004 album “The Grind Date” - “Peace. This is Spike Lee AKA Shelton Jackson Lee AKA loving husband and father of Tanya, Satchel and Jackson. I’m here with De La Soul AKA De La AKA The Plugs. We’re about to get in this song ‘Church’ AKA it’s reality!.” The intro to De La Soul’s “Church” released on their 2004 album “The Grind Date” - “Peace. This is Spike Lee AKA Shelton Jackson Lee AKA loving husband and father of Tanya, Satchel and Jackson. I’m here with De La Soul AKA De La AKA The Plugs. We’re about to get in this song ‘Church’ AKA it’s reality!.” tag:odeo.com,2006-03-19,911741 Sun, 19 Mar 2006 08:05:04 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/911717-Buddy The beginning of De La Soul’s “Buddy” from the 1989 album “3 Feet High and Rising” - “Hello.” The beginning of De La Soul’s “Buddy” from the 1989 album “3 Feet High and Rising” - “Hello.” The beginning of De La Soul’s “Buddy” from the 1989 album “3 Feet High and Rising” - “Hello.” tag:odeo.com,2006-03-19,911717 Sun, 19 Mar 2006 07:59:49 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/911658-I-Am-I-Be The beginning of De La Soul’s “I Am I Be” from the 1994 album “Buhloone Mind State” - “When, now? I am Shortee. I be 4 11. I am I be I am I am I am short. Are you taping now? I am Patrick… I’m ‘a do that again. ...and I be the biggest shoe collector in the word. I am Shortee. I be…” The beginning of De La Soul’s “I Am I Be” from the 1994 album “Buhloone Mind State” - “When, now? I am Shortee. I be 4 11. I am I be I am I am I am short. Are you taping now? I am Patrick… I’m ‘a do that again. ...and I be the biggest shoe collector in the word. I am Shortee. I be…” The beginning of De La Soul’s “I Am I Be” from the 1994 album “Buhloone Mind State” - “When, now? I am Shortee. I be 4 11. I am I be I am I am I am short. Are you taping now? I am Patrick… I’m ‘a do that again. ...and I be the biggest shoe collector in the word. I am Shortee. I be…” tag:odeo.com,2006-03-19,911658 Sun, 19 Mar 2006 07:49:32 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/911624-I-Be-Blowin Maceo Parker at the beginning of De La Soul’s “I Be Blowin’” from the 1994 album “Buhloone Mind State” - “I am Maceo. I be blowing the soul out of this horn.” Maceo Parker at the beginning of De La Soul’s “I Be Blowin’” from the 1994 album “Buhloone Mind State” - “I am Maceo. I be blowing the soul out of this horn.” Maceo Parker at the beginning of De La Soul’s “I Be Blowin’” from the 1994 album “Buhloone Mind State” - “I am Maceo. I be blowing the soul out of this horn.” tag:odeo.com,2006-03-19,911624 Sun, 19 Mar 2006 07:41:40 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/909558-What-Is-a-Booty The end of “What Is a Booty?” by Del tha Funkee Homosapien from the album “I Wish My Brother George Was Here” released in 1991. That’s Ice Cube asking his cousin, Del, a question. - “Ayo, Del. What? What the fuck is a ‘funkee homosapien’? It’s a human being, fool. A funky human being. Aight.” The end of “What Is a Booty?” by Del tha Funkee Homosapien from the album “I Wish My Brother George Was Here” released in 1991. That’s Ice Cube asking his cousin, Del, a question. - “Ayo, Del. What? What the fuck is a ‘funkee homosapien’? It’s a human being, fool. A funky human being. Aight.” The end of “What Is a Booty?” by Del tha Funkee Homosapien from the album “I Wish My Brother George Was Here” released in 1991. That’s Ice Cube asking his cousin, Del, a question. - “Ayo, Del. What? What the fuck is a ‘funkee homosapien’? It’s a human being, fool. A funky human being. Aight.” tag:odeo.com,2006-03-19,909558 Sun, 19 Mar 2006 00:48:49 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/909536-Skypager The beginning of the track “Skypager” from the 1991 A Tribe Called Quest album, “The Low End Theory” - “Do you know the importance of a Skypager?” The beginning of the track “Skypager” from the 1991 A Tribe Called Quest album, “The Low End Theory” - “Do you know the importance of a Skypager?” The beginning of the track “Skypager” from the 1991 A Tribe Called Quest album, “The Low End Theory” - “Do you know the importance of a Skypager?” tag:odeo.com,2006-03-19,909536 Sun, 19 Mar 2006 00:43:01 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/909527-Verses-from-the-Abstract The beginning of the track “Verses from the Abstract” from the 1991 A Tribe Called Quest album, “The Low End Theory” - “I had a dream about my man last night. And my man came by the s… the studio. And his name is…” The beginning of the track “Verses from the Abstract” from the 1991 A Tribe Called Quest album, “The Low End Theory” - “I had a dream about my man last night. And my man came by the s… the studio. And his name is…” The beginning of the track “Verses from the Abstract” from the 1991 A Tribe Called Quest album, “The Low End Theory” - “I had a dream about my man last night. And my man came by the s… the studio. And his name is…” tag:odeo.com,2006-03-19,909527 Sun, 19 Mar 2006 00:39:18 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/909482-Banana-Loo The beginning of the track “Banana-Loo” from their self-titled 1967 release, “Earl Coleman and the Latin Love-In” - “Hey, man, what’s that your mom is frying? Bananas Man, she’s sure hip. Tell her to throw in another peel. I’m staying for supper.” The beginning of the track “Banana-Loo” from their self-titled 1967 release, “Earl Coleman and the Latin Love-In” - “Hey, man, what’s that your mom is frying? Bananas Man, she’s sure hip. Tell her to throw in another peel. I’m staying for supper.” The beginning of the track “Banana-Loo” from their self-titled 1967 release, “Earl Coleman and the Latin Love-In” - “Hey, man, what’s that your mom is frying? Bananas Man, she’s sure hip. Tell her to throw in another peel. I’m staying for supper.” tag:odeo.com,2006-03-19,909482 Sun, 19 Mar 2006 00:29:45 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/900794-Blind-Love The opening of B.B. King’s live rendition of “Blind Love” on the 1981 album “Great Moments With B.B. King” - “If you’ve been with us for a long time you might remember this one.” The opening of B.B. King’s live rendition of “Blind Love” on the 1981 album “Great Moments With B.B. King” - “If you’ve been with us for a long time you might remember this one.” The opening of B.B. King’s live rendition of “Blind Love” on the 1981 album “Great Moments With B.B. King” - “If you’ve been with us for a long time you might remember this one.” tag:odeo.com,2006-03-16,900794 Thu, 16 Mar 2006 22:24:44 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/900734-Natural The beginning of “Natural” by Arrested Development. The song is on their 1992 debut “3 Years, 5 Months and 2 Days in the Life of…” - “Choice. You know what I’m saying? Uhh, in this lust with two beautiful woman, but at the same time, you know, every man has his ideal image of just loving one.” The beginning of “Natural” by Arrested Development. The song is on their 1992 debut “3 Years, 5 Months and 2 Days in the Life of…” - “Choice. You know what I’m saying? Uhh, in this lust with two beautiful woman, but at the same time, you know, every man has his ideal image of just loving one.” The beginning of “Natural” by Arrested Development. The song is on their 1992 debut “3 Years, 5 Months and 2 Days in the Life of…” - “Choice. You know what I’m saying? Uhh, in this lust with two beautiful woman, but at the same time, you know, every man has his ideal image of just loving one.” tag:odeo.com,2006-03-16,900734 Thu, 16 Mar 2006 22:01:32 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/898607-Kidney-Stew The intro to the Etta James & Eddie “Cleanhead” Vinson live 1986 album “Blues in the Night”. It is the beginning of the song “Kidney Stew”. - “It is now time to bring to the stage for the first time tonight – the only and only, there never will be another – Mr. Eddie “Cleanhead” Vinson.” The intro to the Etta James & Eddie “Cleanhead” Vinson live 1986 album “Blues in the Night”. It is the beginning of the song “Kidney Stew”. - “It is now time to bring to the stage for the first time tonight – the only and only, there never will be another – Mr. Eddie “Cleanhead” Vinson.” The intro to the Etta James & Eddie “Cleanhead” Vinson live 1986 album “Blues in the Night”. It is the beginning of the song “Kidney Stew”. - “It is now time to bring to the stage for the first time tonight – the only and only, there never will be another – Mr. Eddie “Cleanhead” Vinson.” tag:odeo.com,2006-03-16,898607 Thu, 16 Mar 2006 12:16:38 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/898490-Just-a-Beat The beginning of “Just a Beat” by Eric B. & Rakim found on “Follow the Leader”. 1988, UNI Records - “Alright, me being the true mack man that I am, ayo, check this out – it’s just a beat.” The beginning of “Just a Beat” by Eric B. & Rakim found on “Follow the Leader”. 1988, UNI Records - “Alright, me being the true mack man that I am, ayo, check this out – it’s just a beat.” The beginning of “Just a Beat” by Eric B. & Rakim found on “Follow the Leader”. 1988, UNI Records - “Alright, me being the true mack man that I am, ayo, check this out – it’s just a beat.” tag:odeo.com,2006-03-16,898490 Thu, 16 Mar 2006 12:04:13 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/895438-A-Minha-Menina The beginning of “A Minha Menina” by Os Mutantes from their self-titled, 1968 debut. - “Tosse. Todo mundo tossindo.” The beginning of “A Minha Menina” by Os Mutantes from their self-titled, 1968 debut. - “Tosse. Todo mundo tossindo.” The beginning of “A Minha Menina” by Os Mutantes from their self-titled, 1968 debut. - “Tosse. Todo mundo tossindo.” tag:odeo.com,2006-03-16,895438 Thu, 16 Mar 2006 01:48:12 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/895297-Tema-de-Maria-Helena-Instrumental “Tema de Maria Helena [Instrumental]” by Azymuth & Marcos Valle from the “O Faboloso Fittipaldi – Trilha Sonora do Filme”, released in 1973. - “Ai falo para mim, olha. Uhhh, você que sabe para janta comigo já noite.” “Tema de Maria Helena [Instrumental]” by Azymuth & Marcos Valle from the “O Faboloso Fittipaldi – Trilha Sonora do Filme”, released in 1973. - “Ai falo para mim, olha. Uhhh, você que sabe para janta comigo já noite.” “Tema de Maria Helena [Instrumental]” by Azymuth & Marcos Valle from the “O Faboloso Fittipaldi – Trilha Sonora do Filme”, released in 1973. - “Ai falo para mim, olha. Uhhh, você que sabe para janta comigo já noite.” tag:odeo.com,2006-03-16,895297 Thu, 16 Mar 2006 01:19:55 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/894928-Goin-Down From Ol’ Dirty Bastard’s “Goin’ Down” released on “Return to the 36 Chambers” in 1995 “Remember when you was young and you used to go… ...punch car! No, remember when you used to say ‘who could do this the longest?’” From Ol’ Dirty Bastard’s “Goin’ Down” released on “Return to the 36 Chambers” in 1995 “Remember when you was young and you used to go… ...punch car! No, remember when you used to say ‘who could do this the longest?’” From Ol’ Dirty Bastard’s “Goin’ Down” released on “Return to the 36 Chambers” in 1995 “Remember when you was young and you used to go… ...punch car! No, remember when you used to say ‘who could do this the longest?’” tag:odeo.com,2006-03-16,894928 Thu, 16 Mar 2006 00:14:14 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/894794-Siempre-con-Swing The intro to Orlando “Cachaíto” López’s “Cachaíto” released in 2001 on Nonesuch Records. - “¿Dígame? ¿Con Cachaíto? Un momento. ¿Oigo? Ah…sí, sí, sí. Bueno, sí. Cachaíto, sí. Siempre con swing. ¿OK?” The intro to Orlando “Cachaíto” López’s “Cachaíto” released in 2001 on Nonesuch Records. - “¿Dígame? ¿Con Cachaíto? Un momento. ¿Oigo? Ah…sí, sí, sí. Bueno, sí. Cachaíto, sí. Siempre con swing. ¿OK?” The intro to Orlando “Cachaíto” López’s “Cachaíto” released in 2001 on Nonesuch Records. - “¿Dígame? ¿Con Cachaíto? Un momento. ¿Oigo? Ah…sí, sí, sí. Bueno, sí. Cachaíto, sí. Siempre con swing. ¿OK?” tag:odeo.com,2006-03-15,894794 Wed, 15 Mar 2006 23:51:31 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/894569-Sidewalk-Blues-Take-3 The beginning of “Sidewalk Blues [Take 3]” by Jelly Roll Morton circa 1924 - “Hey! Get outta out of the way! What are you trying to do, knock the street car off the track? You’re so dumb you should be the president of the Deaf and Dumb Society. I’m sorry, boss, but I got the sidewalk blues.” The beginning of “Sidewalk Blues [Take 3]” by Jelly Roll Morton circa 1924 - “Hey! Get outta out of the way! What are you trying to do, knock the street car off the track? You’re so dumb you should be the president of the Deaf and Dumb Society. I’m sorry, boss, but I got the sidewalk blues.” The beginning of “Sidewalk Blues [Take 3]” by Jelly Roll Morton circa 1924 - “Hey! Get outta out of the way! What are you trying to do, knock the street car off the track? You’re so dumb you should be the president of the Deaf and Dumb Society. I’m sorry, boss, but I got the sidewalk blues.” tag:odeo.com,2006-03-15,894569 Wed, 15 Mar 2006 23:10:11 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/894481-Parole-Blues The beginning of “Parole Blues” by Lousiana Red. It was released on “Sittin’ Here Wonderin’”, 1982 - “Now ladies and gentlemen, whoever you are, the blues is a thing that one have to feel in his soul. You have to feel it in your heart. You gotta live it day by day. You gotta live through insults. You gotta be throwed out in the streets several times. You gotta be put in jail many times – before you learn the blues. And this is a little song I learned in prison.” The beginning of “Parole Blues” by Lousiana Red. It was released on “Sittin’ Here Wonderin’”, 1982 - “Now ladies and gentlemen, whoever you are, the blues is a thing that one have to feel in his soul. You have to feel it in your heart. You gotta live it day by day. You gotta live through insults. You gotta be throwed out in the streets several times. You gotta be put in jail many times – before you learn the blues. And this is a little song I learned in prison.” The beginning of “Parole Blues” by Lousiana Red. It was released on “Sittin’ Here Wonderin’”, 1982 - “Now ladies and gentlemen, whoever you are, the blues is a thing that one have to feel in his soul. You have to feel it in your heart. You gotta live it day by day. You gotta live through insults. You gotta be throwed out in the streets several times. You gotta be put in jail many times – before you learn the blues. And this is a little song I learned in prison.” tag:odeo.com,2006-03-15,894481 Wed, 15 Mar 2006 22:54:30 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/894263-My-Father From a recording session for Nina Simone’s “My Father” eventually released on 1978’s “Baltimore” on CTI Records - “I don’t want to sing this song. It’s not me. My father always promised me that we would be free, but he did not promise me that we would live in France. [laughter] [They] wanted to take him away again? How about Brooklyn? Not…no, my father knew nothing about New York at all. He promised me that we would live in peace and that maybe I can still get. Okay, we have to skip that one for later.” From a recording session for Nina Simone’s “My Father” eventually released on 1978’s “Baltimore” on CTI Records - “I don’t want to sing this song. It’s not me. My father always promised me that we would be free, but he did not promise me that we would live in France. [laughter] [They] wanted to take him away again? How about Brooklyn? Not…no, my father knew nothing about New York at all. He promised me that we would live in peace and that maybe I can still get. Okay, we have to skip that one for later.” From a recording session for Nina Simone’s “My Father” eventually released on 1978’s “Baltimore” on CTI Records - “I don’t want to sing this song. It’s not me. My father always promised me that we would be free, but he did not promise me that we would live in France. [laughter] [They] wanted to take him away again? How about Brooklyn? Not…no, my father knew nothing about New York at all. He promised me that we would live in peace and that maybe I can still get. Okay, we have to skip that one for later.” tag:odeo.com,2006-03-15,894263 Wed, 15 Mar 2006 22:19:46 -0800 no Vocal Intros and Breaks in Popular Music http://odeo.com/episodes/893818-She-s-Funny-That-Way From Art Tatum’s “She’s Funny That Way” released on “The V-Discs” in 1944 on Black Lion Records. - “Hello, fellas. This is Art Tatum and I’ve made a few records here for you – on your V-Disc – two tunes that I’m sure that you’ll enjoy. I don’t know about the piano-playing; you might, you might enjoy the tune itself. And I’m here in New York and I thought maybe you’d like to hear a few of these tunes. There’s very little I can say and I’d like to see all of you back as quick as you possibly can. So any chance that I can do any more for you, play any more for you, I’d be glad to do it. And thanks a lot.” From Art Tatum’s “She’s Funny That Way” released on “The V-Discs” in 1944 on Black Lion Records. - “Hello, fellas. This is Art Tatum and I’ve made a few records here for you – on your V-Disc – two tunes that I’m sure that you’ll enjoy. I don’t know about the piano-playing; you might, you might enjoy the tune itself. And I’m here in New York and I thought maybe you’d like to hear a few of these tunes. There’s very little I can say and I’d like to see all of you back as quick as you possibly can. So any chance that I can do any more for you, play any more for you, I’d be glad to do it. And thanks a lot.” From Art Tatum’s “She’s Funny That Way” released on “The V-Discs” in 1944 on Black Lion Records. - “Hello, fellas. This is Art Tatum and I’ve made a few records here for you – on your V-Disc – two tunes that I’m sure that you’ll enjoy. I don’t know about the piano-playing; you might, you might enjoy the tune itself. And I’m here in New York and I thought maybe you’d like to hear a few of these tunes. There’s very little I can say and I’d like to see all of you back as quick as you possibly can. So any chance that I can do any more for you, play any more for you, I’d be glad to do it. And thanks a lot.” tag:odeo.com,2006-03-15,893818 Wed, 15 Mar 2006 21:40:22 -0800 no Vocal Intros and Breaks in Popular Music jazz, art tatum, v-discs http://odeo.com/episodes/892913-Killer-Joe This is the beginning of “Killer Joe” by Art Farmer with Benny Golson from 1960. - “We’d like you to meet a friend of our’s who goes by the name of Killer Joe. Picture a so-called ‘hippie’ or ‘hip cat’ standing on the corner in a neatly pressed, double breasted, form-fitted, pinstriped suit. A pair of pointed toe shoes with bold while stitches around the soles. A black shirt, long white tie. A black, pencil mustache and of course a very wide-brimmed black felt hat. Killer Joe always has a pocket full of loot but only the kind that jingles. You see, he likes to play the horses. He is most certainly a ladies’ man; as a matter of fact he is always willing to accept cash contributions from them for any cause. Namely, his own. The most important thing about Killer Joe that you have to know is that he is very much against manual labor. Killer Joe.” This is the beginning of “Killer Joe” by Art Farmer with Benny Golson from 1960. - “We’d like you to meet a friend of our’s who goes by the name of Killer Joe. Picture a so-called ‘hippie’ or ‘hip cat’ standing on the corner in a neatly pressed, double breasted, form-fitted, pinstriped suit. A pair of pointed toe shoes with bold while stitches around the soles. A black shirt, long white tie. A black, pencil mustache and of course a very wide-brimmed black felt hat. Killer Joe always has a pocket full of loot but only the kind that jingles. You see, he likes to play the horses. He is most certainly a ladies’ man; as a matter of fact he is always willing to accept cash contributions from them for any cause. Namely, his own. The most important thing about Killer Joe that you have to know is that he is very much against manual labor. Killer Joe.” This is the beginning of “Killer Joe” by Art Farmer with Benny Golson from 1960. - “We’d like you to meet a friend of our’s who goes by the name of Killer Joe. Picture a so-called ‘hippie’ or ‘hip cat’ standing on the corner in a neatly pressed, double breasted, form-fitted, pinstriped suit. A pair of pointed toe shoes with bold while stitches around the soles. A black shirt, long white tie. A black, pencil mustache and of course a very wide-brimmed black felt hat. Killer Joe always has a pocket full of loot but only the kind that jingles. You see, he likes to play the horses. He is most certainly a ladies’ man; as a matter of fact he is always willing to accept cash contributions from them for any cause. Namely, his own. The most important thing about Killer Joe that you have to know is that he is very much against manual labor. Killer Joe.” tag:odeo.com,2006-03-15,892913 Wed, 15 Mar 2006 18:56:20 -0800 no Vocal Intros and Breaks in Popular Music jazz, poetry, spoken word, art farmer, bop