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    <title>Cinemaslave podcast</title>
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    <description>RSS Feed for Cinemaslave</description>
    <itunes:summary>RSS Feed for Cinemaslave</itunes:summary>
    <itunes:subtitle>Film criticism and movie rants from author, filmmaker and cinema junkie Joe Barlow.  Often funny, occasionally informative, and always entertaining.</itunes:subtitle>
    <language>en-us</language>
    <ttl>40</ttl>
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    <pubDate>Fri, 30 Oct 2009 21:56:46 -0700</pubDate>
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    <category>Entertainment</category>
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    <item>
      <title>Cinemaslave #116: Rotoscoping Renfield</title>
      <link>http://odeo.com/episodes/25395079-Cinemaslave-116-Rotoscoping-Renfield</link>
      <description>Joe&amp;#039;s all-time favorite movie, F.W. Murnau&amp;#039;s 1922 silent horror masterpiece NOSFERATU, is getting the 3D treatment in a new remake/reimagining/re-editing/modernization called ORLOCK THE VAMPIRE IN 3D. Special guest Keith Carter, the animator/director behind ORLOCK, joins Joe for an in-depth discussion on this new project, the lure of 3D technology, the appropriateness of tinkering with classic films, the world&amp;#039;s greatest video stores, and other Cinemaslave-flavored topics. The Val Lewton marathon continues next episode with THE LEOPARD MAN and GHOST SHIP. Happy Halloween!</description>
      <itunes:subtitle>Joe&amp;#039;s all-time favorite movie, F.W. Murnau&amp;#039;s 1922 silent horror masterpiece NOSFERATU, is getting the 3D treatment in a new remake/reimagining/re-editing/modernization called ORLOCK THE VAMPIRE IN 3D. Special guest Keith Carter, the animator/director behind ORLOCK, joins Joe for an in-depth discussion on this new project, the lure of 3D technology, the appropriateness of tinkering with classic films, the world&amp;#039;s greatest video stores, and other Cinemaslave-flavored topics. The Val Lewton marathon continues next episode with THE LEOPARD MAN and GHOST SHIP. Happy Halloween!</itunes:subtitle>
      <itunes:summary>Joe&amp;#039;s all-time favorite movie, F.W. Murnau&amp;#039;s 1922 silent horror masterpiece NOSFERATU, is getting the 3D treatment in a new remake/reimagining/re-editing/modernization called ORLOCK THE VAMPIRE IN 3D. Special guest Keith Carter, the animator/director behind ORLOCK, joins Joe for an in-depth discussion on this new project, the lure of 3D technology, the appropriateness of tinkering with classic films, the world&amp;#039;s greatest video stores, and other Cinemaslave-flavored topics. The Val Lewton marathon continues next episode with THE LEOPARD MAN and GHOST SHIP. Happy Halloween!</itunes:summary>
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      <pubDate>Fri, 30 Oct 2009 21:56:46 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #116: Rotoscoping Renfield</title>
      <link>http://odeo.com/episodes/25417423-Cinemaslave-116-Rotoscoping-Renfield</link>
      <description>Joe&amp;#039;s all-time favorite movie, F.W. Murnau&amp;#039;s 1922 silent horror masterpiece NOSFERATU, is getting the 3D treatment in a new remake/reimagining/re-editing/modernization called ORLOCK THE VAMPIRE IN 3D. Special guest Keith Carter, the animator/director behind ORLOCK, joins Joe for an in-depth discussion on this new project, the lure of 3D technology, the appropriateness of tinkering with classic films, the world&amp;#039;s greatest video stores, and other Cinemaslave-flavored topics. The Val Lewton marathon continues next episode with THE LEOPARD MAN and GHOST SHIP. Happy Halloween!</description>
      <itunes:subtitle>Joe&amp;#039;s all-time favorite movie, F.W. Murnau&amp;#039;s 1922 silent horror masterpiece NOSFERATU, is getting the 3D treatment in a new remake/reimagining/re-editing/modernization called ORLOCK THE VAMPIRE IN 3D. Special guest Keith Carter, the animator/director behind ORLOCK, joins Joe for an in-depth discussion on this new project, the lure of 3D technology, the appropriateness of tinkering with classic films, the world&amp;#039;s greatest video stores, and other Cinemaslave-flavored topics. The Val Lewton marathon continues next episode with THE LEOPARD MAN and GHOST SHIP. Happy Halloween!</itunes:subtitle>
      <itunes:summary>Joe&amp;#039;s all-time favorite movie, F.W. Murnau&amp;#039;s 1922 silent horror masterpiece NOSFERATU, is getting the 3D treatment in a new remake/reimagining/re-editing/modernization called ORLOCK THE VAMPIRE IN 3D. Special guest Keith Carter, the animator/director behind ORLOCK, joins Joe for an in-depth discussion on this new project, the lure of 3D technology, the appropriateness of tinkering with classic films, the world&amp;#039;s greatest video stores, and other Cinemaslave-flavored topics. The Val Lewton marathon continues next episode with THE LEOPARD MAN and GHOST SHIP. Happy Halloween!</itunes:summary>
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      <pubDate>Fri, 30 Oct 2009 21:56:46 -0700</pubDate>
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      <title>Cinemaslave #115: Hooray for Zombiewood!</title>
      <link>http://odeo.com/episodes/24830220-Cinemaslave-115-Hooray-for-Zombiewood</link>
      <description>A sad time in Cinemaslave-land as we mourn the man who arguably invented movie fandom. (No, dummy, not Michael Jackson.) Joe also opens up the rather dusty listener feedback archives before fawning all over Disc 2 of the Val Lewton box set, which contains the films I WALKED WITH A ZOMBIE and THE BODY SNATCHER. Oh, what a time.</description>
      <itunes:subtitle>A sad time in Cinemaslave-land as we mourn the man who arguably invented movie fandom. (No, dummy, not Michael Jackson.) Joe also opens up the rather dusty listener feedback archives before fawning all over Disc 2 of the Val Lewton box set, which contains the films I WALKED WITH A ZOMBIE and THE BODY SNATCHER. Oh, what a time.</itunes:subtitle>
      <itunes:summary>A sad time in Cinemaslave-land as we mourn the man who arguably invented movie fandom. (No, dummy, not Michael Jackson.) Joe also opens up the rather dusty listener feedback archives before fawning all over Disc 2 of the Val Lewton box set, which contains the films I WALKED WITH A ZOMBIE and THE BODY SNATCHER. Oh, what a time.</itunes:summary>
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      <pubDate>Tue, 14 Jul 2009 18:48:02 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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      <title>Cinemaslave #115: Hooray for Zombiewood!</title>
      <link>http://odeo.com/episodes/24805211-Cinemaslave-115-Hooray-for-Zombiewood</link>
      <description>A sad time in Cinemaslave-land as we mourn the man who arguably invented movie fandom. (No, dummy, not Michael Jackson.) Joe also opens up the rather dusty listener feedback archives before fawning all over Disc 2 of the Val Lewton box set, which contains the films I WALKED WITH A ZOMBIE and THE BODY SNATCHER. Oh, what a time.</description>
      <itunes:subtitle>A sad time in Cinemaslave-land as we mourn the man who arguably invented movie fandom. (No, dummy, not Michael Jackson.) Joe also opens up the rather dusty listener feedback archives before fawning all over Disc 2 of the Val Lewton box set, which contains the films I WALKED WITH A ZOMBIE and THE BODY SNATCHER. Oh, what a time.</itunes:subtitle>
      <itunes:summary>A sad time in Cinemaslave-land as we mourn the man who arguably invented movie fandom. (No, dummy, not Michael Jackson.) Joe also opens up the rather dusty listener feedback archives before fawning all over Disc 2 of the Val Lewton box set, which contains the films I WALKED WITH A ZOMBIE and THE BODY SNATCHER. Oh, what a time.</itunes:summary>
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      <pubDate>Tue, 14 Jul 2009 18:48:02 -0700</pubDate>
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    <item>
      <title>Cinemaslave #114: Better Irate Than Never</title>
      <link>http://odeo.com/episodes/24830221-Cinemaslave-114-Better-Irate-Than-Never</link>
      <description>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</description>
      <itunes:subtitle>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:subtitle>
      <itunes:summary>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:summary>
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      <pubDate>Thu, 22 Jan 2009 11:44:01 -0800</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #114: Better Irate Than Never</title>
      <link>http://odeo.com/episodes/24469563-Cinemaslave-114-Better-Irate-Than-Never</link>
      <description>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</description>
      <itunes:subtitle>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:subtitle>
      <itunes:summary>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:summary>
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      <pubDate>Thu, 22 Jan 2009 11:44:01 -0800</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #114: Better Irate Than Never</title>
      <link>http://odeo.com/episodes/24495444-Cinemaslave-114-Better-Irate-Than-Never</link>
      <description>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</description>
      <itunes:subtitle>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:subtitle>
      <itunes:summary>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:summary>
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      <pubDate>Thu, 22 Jan 2009 11:44:01 -0800</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #114: Better Irate Than Never</title>
      <link>http://odeo.com/episodes/24797919-Cinemaslave-114-Better-Irate-Than-Never</link>
      <description>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</description>
      <itunes:subtitle>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:subtitle>
      <itunes:summary>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:summary>
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      <pubDate>Thu, 22 Jan 2009 11:44:01 -0800</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #114: Better Irate Than Never</title>
      <link>http://odeo.com/episodes/24014293-Cinemaslave-114-Better-Irate-Than-Never</link>
      <description>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</description>
      <itunes:subtitle>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:subtitle>
      <itunes:summary>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:summary>
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      <pubDate>Thu, 22 Jan 2009 11:44:00 -0800</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #114: Better Irate Than Never</title>
      <link>http://odeo.com/episodes/23938543-Cinemaslave-114-Better-Irate-Than-Never</link>
      <description>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</description>
      <itunes:subtitle>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:subtitle>
      <itunes:summary>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:summary>
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      <pubDate>Thu, 22 Jan 2009 11:44:00 -0800</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #114: Better Irate Than Never</title>
      <link>http://odeo.com/episodes/23917769-Cinemaslave-114-Better-Irate-Than-Never</link>
      <description>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</description>
      <itunes:subtitle>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:subtitle>
      <itunes:summary>Joe's unexpected four-month hiatus from the show is revealed to be nothing more than a dream -- it turns out he had the power to return to the podcast all along simply by clicking his heels together three times. There's ramblings aplenty here, as Joe explains where he's been, why it sucks a little less to watch movies in Scranton these days, and ushers in the first installment of our brand new Val Lewton marathon with a look at 1942's Cat People and its amazing sequel, 1944's Curse of the Cat People.</itunes:summary>
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      <pubDate>Wed, 21 Jan 2009 21:44:39 -0800</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #113: Lon Chaney Left His Legs In His Other Pants!</title>
      <link>http://odeo.com/episodes/24469564-Cinemaslave-113-Lon-Chaney-Left-His-Legs-In-His-Other-Pants</link>
      <description>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</description>
      <itunes:subtitle>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:subtitle>
      <itunes:summary>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:summary>
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      <pubDate>Sat, 06 Sep 2008 20:22:25 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #113: Lon Chaney Left His Legs In His Other Pants!</title>
      <link>http://odeo.com/episodes/24495445-Cinemaslave-113-Lon-Chaney-Left-His-Legs-In-His-Other-Pants</link>
      <description>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</description>
      <itunes:subtitle>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:subtitle>
      <itunes:summary>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:summary>
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      <pubDate>Sat, 06 Sep 2008 20:22:25 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:author>Cinemaslave podcast</itunes:author>
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    <item>
      <title>Cinemaslave #113: Lon Chaney Left His Legs In His Other Pants!</title>
      <link>http://odeo.com/episodes/24014294-Cinemaslave-113-Lon-Chaney-Left-His-Legs-In-His-Other-Pants</link>
      <description>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</description>
      <itunes:subtitle>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:subtitle>
      <itunes:summary>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:summary>
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      <pubDate>Sat, 06 Sep 2008 20:22:25 -0700</pubDate>
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    <item>
      <title>Cinemaslave #113: Lon Chaney Left His Legs In His Other Pants!</title>
      <link>http://odeo.com/episodes/23938544-Cinemaslave-113-Lon-Chaney-Left-His-Legs-In-His-Other-Pants</link>
      <description>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</description>
      <itunes:subtitle>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:subtitle>
      <itunes:summary>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-09-06,23938544</guid>
      <pubDate>Sat, 06 Sep 2008 20:22:25 -0700</pubDate>
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    <item>
      <title>Cinemaslave #113: Lon Chaney Left His Legs In His Other Pants!</title>
      <link>http://odeo.com/episodes/23311222-Cinemaslave-113-Lon-Chaney-Left-His-Legs-In-His-Other-Pants</link>
      <description>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</description>
      <itunes:subtitle>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:subtitle>
      <itunes:summary>Joe's been spending a lot of quality time recently with Kino's massive five-disc "American Silent Horror" collection, and your intrepid host offers you a guided tour through the good, the bad, and the perplexing films which comprise this slice of film history.</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-09-06,23311222</guid>
      <pubDate>Sat, 06 Sep 2008 10:42:17 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #112: Gotham After Midnight</title>
      <link>http://odeo.com/episodes/24469565-Cinemaslave-112-Gotham-After-Midnight</link>
      <description>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</description>
      <itunes:subtitle>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:subtitle>
      <itunes:summary>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-07-19,24469565</guid>
      <pubDate>Sat, 19 Jul 2008 15:52:05 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #112: Gotham After Midnight</title>
      <link>http://odeo.com/episodes/24495446-Cinemaslave-112-Gotham-After-Midnight</link>
      <description>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</description>
      <itunes:subtitle>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:subtitle>
      <itunes:summary>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:summary>
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      <pubDate>Sat, 19 Jul 2008 15:52:05 -0700</pubDate>
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    <item>
      <title>Cinemaslave #112: Gotham After Midnight</title>
      <link>http://odeo.com/episodes/24014295-Cinemaslave-112-Gotham-After-Midnight</link>
      <description>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</description>
      <itunes:subtitle>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:subtitle>
      <itunes:summary>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-07-19,24014295</guid>
      <pubDate>Sat, 19 Jul 2008 15:52:05 -0700</pubDate>
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    <item>
      <title>Cinemaslave #112: Gotham After Midnight</title>
      <link>http://odeo.com/episodes/23938545-Cinemaslave-112-Gotham-After-Midnight</link>
      <description>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</description>
      <itunes:subtitle>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:subtitle>
      <itunes:summary>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:summary>
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      <pubDate>Sat, 19 Jul 2008 15:52:05 -0700</pubDate>
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    <item>
      <title>Cinemaslave #112: Gotham After Midnight</title>
      <link>http://odeo.com/episodes/23311224-Cinemaslave-112-Gotham-After-Midnight</link>
      <description>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</description>
      <itunes:subtitle>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:subtitle>
      <itunes:summary>The release of a (sensational) new Batman film, coupled with the recent rediscovery of Fritz Lang's long-lost director's cut of Metropolis, means that Joe is living in a German Expressionism dreamland this week. As such, your intrepid host decides to evaluate the legacy of the most famous "lost" silent film in history, Tod Browning's London After Midnight, starring Lon Chaney. We also look (metaphorically) at some of cinema's other lost classics and ruminate on the odds of their eventual rediscovery.</itunes:summary>
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      <pubDate>Sat, 19 Jul 2008 11:52:05 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave: State of the Podcast (June 6, 2008)</title>
      <link>http://odeo.com/episodes/24469566-Cinemaslave-State-of-the-Podcast-June-6-2008</link>
      <description>Harsh language and politically charged commentary you can believe in.</description>
      <itunes:subtitle>Harsh language and politically charged commentary you can believe in.</itunes:subtitle>
      <itunes:summary>Harsh language and politically charged commentary you can believe in.</itunes:summary>
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      <pubDate>Sat, 07 Jun 2008 17:34:12 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave: State of the Podcast (June 6, 2008)</title>
      <link>http://odeo.com/episodes/24495447-Cinemaslave-State-of-the-Podcast-June-6-2008</link>
      <description>Harsh language and politically charged commentary you can believe in.</description>
      <itunes:subtitle>Harsh language and politically charged commentary you can believe in.</itunes:subtitle>
      <itunes:summary>Harsh language and politically charged commentary you can believe in.</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-06-07,24495447</guid>
      <pubDate>Sat, 07 Jun 2008 17:34:12 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:author>Cinemaslave podcast</itunes:author>
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    <item>
      <title>Cinemaslave: State of the Podcast (June 6, 2008)</title>
      <link>http://odeo.com/episodes/24014296-Cinemaslave-State-of-the-Podcast-June-6-2008</link>
      <description>Harsh language and politically charged commentary you can believe in.</description>
      <itunes:subtitle>Harsh language and politically charged commentary you can believe in.</itunes:subtitle>
      <itunes:summary>Harsh language and politically charged commentary you can believe in.</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-06-07,24014296</guid>
      <pubDate>Sat, 07 Jun 2008 17:34:12 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="audio/mpeg" url="http://www.cinemaslave.com/ww_files/attachments/CinemaslaveSuspend.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
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    <item>
      <title>Cinemaslave: State of the Podcast (June 6, 2008)</title>
      <link>http://odeo.com/episodes/23938546-Cinemaslave-State-of-the-Podcast-June-6-2008</link>
      <description>Harsh language and politically charged commentary you can believe in.</description>
      <itunes:subtitle>Harsh language and politically charged commentary you can believe in.</itunes:subtitle>
      <itunes:summary>Harsh language and politically charged commentary you can believe in.</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-06-07,23938546</guid>
      <pubDate>Sat, 07 Jun 2008 17:34:12 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #111: The (Iron) Eagle Has Landed</title>
      <link>http://odeo.com/episodes/24469567-Cinemaslave-111-The-Iron-Eagle-Has-Landed</link>
      <description>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</description>
      <itunes:subtitle>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:subtitle>
      <itunes:summary>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-05-03,24469567</guid>
      <pubDate>Sat, 03 May 2008 14:19:56 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:author>Cinemaslave podcast</itunes:author>
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    <item>
      <title>Cinemaslave #111: The (Iron) Eagle Has Landed</title>
      <link>http://odeo.com/episodes/24495448-Cinemaslave-111-The-Iron-Eagle-Has-Landed</link>
      <description>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</description>
      <itunes:subtitle>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:subtitle>
      <itunes:summary>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-05-03,24495448</guid>
      <pubDate>Sat, 03 May 2008 14:19:56 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cinemaslave #111: The (Iron) Eagle Has Landed</title>
      <link>http://odeo.com/episodes/24014297-Cinemaslave-111-The-Iron-Eagle-Has-Landed</link>
      <description>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</description>
      <itunes:subtitle>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:subtitle>
      <itunes:summary>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-05-03,24014297</guid>
      <pubDate>Sat, 03 May 2008 14:19:56 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #111: The (Iron) Eagle Has Landed</title>
      <link>http://odeo.com/episodes/23938547-Cinemaslave-111-The-Iron-Eagle-Has-Landed</link>
      <description>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</description>
      <itunes:subtitle>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:subtitle>
      <itunes:summary>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:summary>
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      <pubDate>Sat, 03 May 2008 14:19:56 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:author>Cinemaslave podcast</itunes:author>
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    <item>
      <title>Cinemaslave #111: The (Iron) Eagle Has Landed</title>
      <link>http://odeo.com/episodes/23311255-Cinemaslave-111-The-Iron-Eagle-Has-Landed</link>
      <description>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</description>
      <itunes:subtitle>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:subtitle>
      <itunes:summary>Joe throws another of his favorite childhood movies under the bus this week by revisiting "Iron Eagle", and is saddened to learn that the film is nothing more than an unabashed ode to the Reagan era. We also revisit the "gore vs. suspense" debate, ponder the proper uses of CGI in modern cinema, and discuss several irrational movie fears. We also attempt to settle once and for all whether "Juno" is actually a treasured cinematic gem or an overrated faux-chic flick. But eventually Cherilyn from Canada saves us all with a guest review of "Run Fatboy Run".</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-05-03,23311255</guid>
      <pubDate>Sat, 03 May 2008 10:19:56 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="audio/mpeg" url="http://www.cinemaslave.com/podcasts/Cinemaslave111.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #110: I Love My Mummy</title>
      <link>http://odeo.com/episodes/25371152-Cinemaslave-110-I-Love-My-Mummy</link>
      <description>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</description>
      <itunes:subtitle>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:subtitle>
      <itunes:summary>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-04-19,25371152</guid>
      <pubDate>Sat, 19 Apr 2008 01:02:19 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="" url="http://www.cinemaslave.com/ww_files/attachments/mp3/Cinemaslave110.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #110: I Love My Mummy</title>
      <link>http://odeo.com/episodes/25369436-Cinemaslave-110-I-Love-My-Mummy</link>
      <description>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</description>
      <itunes:subtitle>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:subtitle>
      <itunes:summary>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-04-19,25369436</guid>
      <pubDate>Sat, 19 Apr 2008 01:02:19 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="" url="http://www.cinemaslave.com/ww_files/attachments/mp3/Cinemaslave110.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #110: I Love My Mummy</title>
      <link>http://odeo.com/episodes/24469568-Cinemaslave-110-I-Love-My-Mummy</link>
      <description>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</description>
      <itunes:subtitle>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:subtitle>
      <itunes:summary>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-04-19,24469568</guid>
      <pubDate>Sat, 19 Apr 2008 00:02:19 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="" url="http://www.cinemaslave.com/ww_files/attachments/mp3/Cinemaslave110.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #110: I Love My Mummy</title>
      <link>http://odeo.com/episodes/24495449-Cinemaslave-110-I-Love-My-Mummy</link>
      <description>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</description>
      <itunes:subtitle>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:subtitle>
      <itunes:summary>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-04-19,24495449</guid>
      <pubDate>Sat, 19 Apr 2008 00:02:19 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="" url="http://www.cinemaslave.com/ww_files/attachments/mp3/Cinemaslave110.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #110: I Love My Mummy</title>
      <link>http://odeo.com/episodes/24014298-Cinemaslave-110-I-Love-My-Mummy</link>
      <description>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</description>
      <itunes:subtitle>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:subtitle>
      <itunes:summary>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-04-19,24014298</guid>
      <pubDate>Sat, 19 Apr 2008 00:02:19 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="audio/mpeg" url="http://www.cinemaslave.com/ww_files/attachments/Cinemaslave110.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #110: I Love My Mummy</title>
      <link>http://odeo.com/episodes/23938548-Cinemaslave-110-I-Love-My-Mummy</link>
      <description>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</description>
      <itunes:subtitle>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:subtitle>
      <itunes:summary>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-04-19,23938548</guid>
      <pubDate>Sat, 19 Apr 2008 00:02:19 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="audio/mpeg" url="http://www.cinemaslave.com/ww_files/attachments/Cinemaslave110.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #110: I Love My Mummy</title>
      <link>http://odeo.com/episodes/23311328-Cinemaslave-110-I-Love-My-Mummy</link>
      <description>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</description>
      <itunes:subtitle>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:subtitle>
      <itunes:summary>Joe examines the "Suspense vs. Gore" debate currently raging among modern horror fans, and realizes he'd rather watch "Friday the 13th Part II" than anything Eli Roth will ever make. Your intrepid host also finds time to wrap himself in bandages, make some tana-leaf potion, and have a look at all five of Universal's classic "Mummy" flicks before Cherilyn in Ontario restores some integrity to the proceedings with a rational look at the Canadian TV premiere of "Grindhouse". JOIN JOE AT SLAPSTICON IN ALEXANDRIA, VIRGINIA THIS JULY! www.slapsticon.org</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-04-18,23311328</guid>
      <pubDate>Fri, 18 Apr 2008 20:02:19 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="audio/mpeg" url="http://www.cinemaslave.com/podcasts/Cinemaslave110.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #109: Vampires on the Bayou</title>
      <link>http://odeo.com/episodes/25371153-Cinemaslave-109-Vampires-on-the-Bayou</link>
      <description>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</description>
      <itunes:subtitle>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:subtitle>
      <itunes:summary>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-03-15,25371153</guid>
      <pubDate>Sat, 15 Mar 2008 13:50:16 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="" url="http://www.cinemaslave.com/ww_files/attachments/mp3/Cinemaslave109.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #109: Vampires on the Bayou</title>
      <link>http://odeo.com/episodes/25369437-Cinemaslave-109-Vampires-on-the-Bayou</link>
      <description>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</description>
      <itunes:subtitle>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:subtitle>
      <itunes:summary>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-03-15,25369437</guid>
      <pubDate>Sat, 15 Mar 2008 13:50:16 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="" url="http://www.cinemaslave.com/ww_files/attachments/mp3/Cinemaslave109.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #109: Vampires on the Bayou</title>
      <link>http://odeo.com/episodes/24469569-Cinemaslave-109-Vampires-on-the-Bayou</link>
      <description>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</description>
      <itunes:subtitle>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:subtitle>
      <itunes:summary>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-03-15,24469569</guid>
      <pubDate>Sat, 15 Mar 2008 12:50:16 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="" url="http://www.cinemaslave.com/ww_files/attachments/mp3/Cinemaslave109.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
    </item>
    <item>
      <title>Cinemaslave #109: Vampires on the Bayou</title>
      <link>http://odeo.com/episodes/24495450-Cinemaslave-109-Vampires-on-the-Bayou</link>
      <description>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</description>
      <itunes:subtitle>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:subtitle>
      <itunes:summary>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:summary>
      <guid isPermaLink="false">tag:odeo.com,2008-03-15,24495450</guid>
      <pubDate>Sat, 15 Mar 2008 12:50:16 -0700</pubDate>
      <itunes:explicit>no</itunes:explicit>
      <enclosure type="" url="http://www.cinemaslave.com/ww_files/attachments/mp3/Cinemaslave109.mp3"/>
      <itunes:author>Cinemaslave podcast</itunes:author>
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    <item>
      <title>Cinemaslave #109: Vampires on the Bayou</title>
      <link>http://odeo.com/episodes/24014299-Cinemaslave-109-Vampires-on-the-Bayou</link>
      <description>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</description>
      <itunes:subtitle>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:subtitle>
      <itunes:summary>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:summary>
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      <pubDate>Sat, 15 Mar 2008 12:50:16 -0700</pubDate>
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      <title>Cinemaslave #109: Vampires on the Bayou</title>
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      <description>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</description>
      <itunes:subtitle>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:subtitle>
      <itunes:summary>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:summary>
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      <title>Cinemaslave #109: Vampires on the Bayou</title>
      <link>http://odeo.com/episodes/23311330-Cinemaslave-109-Vampires-on-the-Bayou</link>
      <description>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</description>
      <itunes:subtitle>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:subtitle>
      <itunes:summary>A very grateful Joe is trying to claw his way out of the avalanche of listener feedback inspired by the last episode. Spike Lee once again comes under our cinematic microscope as we take a look at his astonishing four-hour New Orleans documentary "When the Levees Broke", and we rehash the age-old debate of whether a writer or director is more integral to a movie's success. Joe also spends a bit of time pondering why a 16mm film print of his favorite flick seems to be forever beyond his grasp, and evaluates possible medical treatments for a Cinemaslave listener who didn't like "Once".</itunes:summary>
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      <pubDate>Sat, 15 Mar 2008 08:50:16 -0700</pubDate>
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      <title>Cinemaslave #108: Posturing, Paradigms, and Polonias</title>
      <link>http://odeo.com/episodes/24469570-Cinemaslave-108-Posturing-Paradigms-and-Polonias</link>
      <description>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</description>
      <itunes:subtitle>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:subtitle>
      <itunes:summary>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:summary>
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      <pubDate>Sat, 08 Mar 2008 22:38:55 -0800</pubDate>
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      <title>Cinemaslave #108: Posturing, Paradigms, and Polonias</title>
      <link>http://odeo.com/episodes/24495451-Cinemaslave-108-Posturing-Paradigms-and-Polonias</link>
      <description>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</description>
      <itunes:subtitle>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:subtitle>
      <itunes:summary>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:summary>
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      <title>Cinemaslave #108: Posturing, Paradigms, and Polonias</title>
      <link>http://odeo.com/episodes/24014300-Cinemaslave-108-Posturing-Paradigms-and-Polonias</link>
      <description>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</description>
      <itunes:subtitle>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:subtitle>
      <itunes:summary>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:summary>
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      <title>Cinemaslave #108: Posturing, Paradigms, and Polonias</title>
      <link>http://odeo.com/episodes/23938550-Cinemaslave-108-Posturing-Paradigms-and-Polonias</link>
      <description>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</description>
      <itunes:subtitle>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:subtitle>
      <itunes:summary>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:summary>
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      <title>Cinemaslave #108: Posturing, Paradigms, and Polonias</title>
      <link>http://odeo.com/episodes/23311333-Cinemaslave-108-Posturing-Paradigms-and-Polonias</link>
      <description>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</description>
      <itunes:subtitle>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:subtitle>
      <itunes:summary>If this is your first time listening to Cinemaslave, you might want to try a different episode. Joe's got his panties in a bunch after a screening of Mel Brooks' horrendous "Silent Movie", and is now (indirectly) considering a massive overhaul of the show's format as a result. (Regular listeners, please weigh in with your thoughts.) Your intrepid host also takes a few minutes to say farewell to his late friend, indie filmmaker John Polonia. Quite possibly the strangest episode ever.</itunes:summary>
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      <pubDate>Sat, 08 Mar 2008 17:38:55 -0800</pubDate>
      <itunes:explicit>no</itunes:explicit>
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      <title>CInemaslave #107: Isn't This Where We Came In?</title>
      <link>http://odeo.com/episodes/24469571-CInemaslave-107-Isn-t-This-Where-We-Came-In</link>
      <description>Big Belly's apology * Story vs. spectacle... revisitng the century-old argument * Oh, those long-winded Germans * Recutting someone else's film * Spike Jonze can't show us the wild things after all * The "suits" vs. the "artists" * The "Star Wars" trials * If you watch movies at home, YOU'RE EVIL! * Listener feedback * You ain't Bela! * Color-tinting and silent movies</description>
      <itunes:subtitle>Big Belly's apology * Story vs. spectacle... revisitng the century-old argument * Oh, those long-winded Germans * Recutting someone else's film * Spike Jonze can't show us the wild things after all * The "suits" vs. the "artists" * The "Star Wars" trials * If you watch movies at home, YOU'RE EVIL! * Listener feedback * You ain't Bela! * Color-tinting and silent movies</itunes:subtitle>
      <itunes:summary>Big Belly's apology * Story vs. spectacle... revisitng the century-old argument * Oh, those long-winded Germans * Recutting someone else's film * Spike Jonze can't show us the wild things after all * The "suits" vs. the "artists" * The "Star Wars" trials * If you watch movies at home, YOU'RE EVIL! * Listener feedback * You ain't Bela! * Color-tinting and silent movies</itunes:summary>
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      <pubDate>Sat, 23 Feb 2008 21:00:02 -0800</pubDate>
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