http://odeo.com/channels/2019-Transom Partypumper yes A Showcase and Workshop for New Public Radio A Showcase and Workshop for New Public Radio Tasty little audio morsels to go. en 40 Mon, 17 Aug 2009 09:11:20 -0700 Mon, 17 Aug 2009 09:11:20 -0700 Society http://odeo.com/episodes/25130990-Mortified%E2%80%99s-%E2%80%9CI-Hate-Drake%E2%80%9D This week we’re featuring the co-winner of our Self Portrait competition. It comes from the comedy collective “Mortified” who encourage people to read out loud the most embarrassing things they wrote as children. “I Hate Drake” is an hysterical and heartfelt entry from Will Nolan’s childhood diary about an archetypal bullying episode. Like most of the multi-media pieces on Transom, it’s story-driven and works fine without the images, but the animation deepens the story and makes it even funnier. Producer David Nadelberg says, “I had a specific visual aesthetic in mind for what a Mortified animation should look like. It should have the raggedy, moody, frenetic energy of a teen notebook. Innocent at the core but frayed on the surface. We called this aesthetic: punk meets Punky Brewster.” If you’re feeling a little battered by life today, take a few minutes to let “I Hate Drake” make you feel better. As ever, the producers will be at Transom to take your questions. This week we’re featuring the co-winner of our Self Portrait competition. It comes from the comedy collective “Mortified” who encourage people to read out loud the most embarrassing things they wrote as children. “I Hate Drake” is an hysterical and heartfelt entry from Will Nolan’s childhood diary about an archetypal bullying episode. Like most of the multi-media pieces on Transom, it’s story-driven and works fine without the images, but the animation deepens the story and makes it even funnier. Producer David Nadelberg says, “I had a specific visual aesthetic in mind for what a Mortified animation should look like. It should have the raggedy, moody, frenetic energy of a teen notebook. Innocent at the core but frayed on the surface. We called this aesthetic: punk meets Punky Brewster.” If you’re feeling a little battered by life today, take a few minutes to let “I Hate Drake” make you feel better. As ever, the producers will be at Transom to take your questions. This week we’re featuring the co-winner of our Self Portrait competition. It comes from the comedy collective “Mortified” who encourage people to read out loud the most embarrassing things they wrote as children. “I Hate Drake” is an hysterical and heartfelt entry from Will Nolan’s childhood diary about an archetypal bullying episode. Like most of the multi-media pieces on Transom, it’s story-driven and works fine without the images, but the animation deepens the story and makes it even funnier. Producer David Nadelberg says, “I had a specific visual aesthetic in mind for what a Mortified animation should look like. It should have the raggedy, moody, frenetic energy of a teen notebook. Innocent at the core but frayed on the surface. We called this aesthetic: punk meets Punky Brewster.” If you’re feeling a little battered by life today, take a few minutes to let “I Hate Drake” make you feel better. As ever, the producers will be at Transom to take your questions. tag:odeo.com,2009-08-17,25130990 Mon, 17 Aug 2009 09:11:20 -0700 yes Transom podcasts, Shows http://odeo.com/episodes/25057944-My-Most-Important-Self-Portrait Last year, Transom and the FLIK International Film festival put out a call for multi-media self portraits. We have our two winners. Soon, we’ll be featuring “I Hate Drake” from Mortified, but right now Transom is hosting James Barany’s poignant and powerful piece about his own obesity called, “My Most Important Self Portrait.” The animated images of James’s body and the sounds of his voice work together in a dark and elegant duet. We urge you to come take a look and listen. James is available to talk about his process. Last year, Transom and the FLIK International Film festival put out a call for multi-media self portraits. We have our two winners. Soon, we’ll be featuring “I Hate Drake” from Mortified, but right now Transom is hosting James Barany’s poignant and powerful piece about his own obesity called, “My Most Important Self Portrait.” The animated images of James’s body and the sounds of his voice work together in a dark and elegant duet. We urge you to come take a look and listen. James is available to talk about his process. Last year, Transom and the FLIK International Film festival put out a call for multi-media self portraits. We have our two winners. Soon, we’ll be featuring “I Hate Drake” from Mortified, but right now Transom is hosting James Barany’s poignant and powerful piece about his own obesity called, “My Most Important Self Portrait.” The animated images of James’s body and the sounds of his voice work together in a dark and elegant duet. We urge you to come take a look and listen. James is available to talk about his process. tag:odeo.com,2009-07-27,25057944 Mon, 27 Jul 2009 07:58:20 -0700 yes Transom podcasts, Shows http://odeo.com/episodes/24762671-Tribal-Radio Jesse Hardman and Maura O'Connor recently drove around the southwestern United States visiting some of the 33 Native American reservations that have their own radio stations. They said it became clear that "radio, often dismissed as outdated for the Web 2.0 era, was the most essential medium of communication in Indian country." Airchecks from these stations sound alive and connected, peopled by a real range of characters. On Transom, Jesse and Maura put together a report, full of photos and audio, and we also created two radio pieces. One is an NPR-style news magazine piece. The other is a Transom-style collage. Listen to both. Tell us what you think. On our discussion board, we'll be joined by some of the staff of the tribal stations and they'd like to hear from you. Jesse Hardman and Maura O'Connor recently drove around the southwestern United States visiting some of the 33 Native American reservations that have their own radio stations. They said it became clear that "radio, often dismissed as outdated for the Web 2.0 era, was the most essential medium of communication in Indian country." Airchecks from these stations sound alive and connected, peopled by a real range of characters. On Transom, Jesse and Maura put together a report, full of photos and audio, and we also created two radio pieces. One is an NPR-style news magazine piece. The other is a Transom-style collage. Listen to both. Tell us what you think. On our discussion board, we'll be joined by some of the staff of the tribal stations and they'd like to hear from you. Jesse Hardman and Maura O'Connor recently drove around the southwestern United States visiting some of the 33 Native American reservations that have their own radio stations. They said it became clear that "radio, often dismissed as outdated for the Web 2.0 era, was the most essential medium of communication in Indian country." Airchecks from these stations sound alive and connected, peopled by a real range of characters. On Transom, Jesse and Maura put together a report, full of photos and audio, and we also created two radio pieces. One is an NPR-style news magazine piece. The other is a Transom-style collage. Listen to both. Tell us what you think. On our discussion board, we'll be joined by some of the staff of the tribal stations and they'd like to hear from you. tag:odeo.com,2009-06-19,24762671 Fri, 19 Jun 2009 07:46:59 -0700 yes Transom podcasts, special features http://odeo.com/episodes/25104204-Darren-Copeland Darren, the sound designer for i don’t want to be an inside me anymore, spoke about the background of the piece and the artists’ relationship with autism. Listen here. Darren, the sound designer for i don’t want to be an inside me anymore, spoke about the background of the piece and the artists’ relationship with autism. Listen here. Darren, the sound designer for i don’t want to be an inside me anymore, spoke about the background of the piece and the artists’ relationship with autism. Listen here. tag:odeo.com,2009-05-29,25104204 Fri, 29 May 2009 21:28:15 -0700 yes Transom Deep Wireless 2009 http://odeo.com/episodes/24615431-Jennie%E2%80%99s-Secret For Memorial Day, Transom is featuring an unusual veteran's story. "Jennie's Secret" is about a woman who posed as a man during the Civil War and went on to live most of her life as a man in the tiny town of Saunemin, Illinois. Over the years the town has been ambivalent about their most famous citizen and is struggling to figure out how to honor the memory of Jennie Hodgers/Albert Cashier. Producer Linda Paul became "obsessed" with this story and tracked down all sorts of interesting people to talk to. It's the kind of piece that was once easy to place in a public radio magazine show, but it's eighteen minutes long and it's not news. That makes it an orphan these days. It's worth pondering what we should do with stories like this--when an obsessed producer and a fascinating story converge, and the story isn't news and doesn't fit the mold. For Memorial Day, Transom is featuring an unusual veteran's story. "Jennie's Secret" is about a woman who posed as a man during the Civil War and went on to live most of her life as a man in the tiny town of Saunemin, Illinois. Over the years the town has been ambivalent about their most famous citizen and is struggling to figure out how to honor the memory of Jennie Hodgers/Albert Cashier. Producer Linda Paul became "obsessed" with this story and tracked down all sorts of interesting people to talk to. It's the kind of piece that was once easy to place in a public radio magazine show, but it's eighteen minutes long and it's not news. That makes it an orphan these days. It's worth pondering what we should do with stories like this--when an obsessed producer and a fascinating story converge, and the story isn't news and doesn't fit the mold. For Memorial Day, Transom is featuring an unusual veteran's story. "Jennie's Secret" is about a woman who posed as a man during the Civil War and went on to live most of her life as a man in the tiny town of Saunemin, Illinois. Over the years the town has been ambivalent about their most famous citizen and is struggling to figure out how to honor the memory of Jennie Hodgers/Albert Cashier. Producer Linda Paul became "obsessed" with this story and tracked down all sorts of interesting people to talk to. It's the kind of piece that was once easy to place in a public radio magazine show, but it's eighteen minutes long and it's not news. That makes it an orphan these days. It's worth pondering what we should do with stories like this--when an obsessed producer and a fascinating story converge, and the story isn't news and doesn't fit the mold. tag:odeo.com,2009-05-18,24615431 Mon, 18 May 2009 08:58:20 -0700 yes Transom podcasts, Shows http://odeo.com/episodes/25104205-Cassette-Collage-1 When I initially hatched the cassette collage idea, I had no clue that it would be such a challenge to set up in time for Megapolis.  Instead of trying to perform at Megapolis, I was more interested to having people participate in a sound experiment and explore the sonic environment.  I wanted to celebrate the [...] When I initially hatched the cassette collage idea, I had no clue that it would be such a challenge to set up in time for Megapolis.  Instead of trying to perform at Megapolis, I was more interested to having people participate in a sound experiment and explore the sonic environment.  I wanted to celebrate the [...] When I initially hatched the cassette collage idea, I had no clue that it would be such a challenge to set up in time for Megapolis.  Instead of trying to perform at Megapolis, I was more interested to having people participate in a sound experiment and explore the sonic environment.  I wanted to celebrate the [...] tag:odeo.com,2009-05-01,25104205 Fri, 01 May 2009 10:57:40 -0700 yes Transom Megapolis Festival 2009, megapolis, Special Features Blog http://odeo.com/episodes/24077036-Prostate-Diaries If this piece were about blood or bones or lungs, it would have aired on NPR. But because it is about the prostate, and includes a talking penis, it presented problems for broadcast. There’s no equal time for body parts. Barrett Golding of HearingVoices asked us if we at Transom would be interested. Yes. Cancer is cancer and it makes sense to talk about it openly and personally, wherever in the body it occurs. The piece also presents complex challenges of interest to radio producers. It is based on a stage presentation written by the patient himself, Jeff Metcalf, and performed by Paul Kiernan. It was recorded and produced for radio by the estimable Scott Carrier and Larry Massett. They are present on Transom to talk about this work, its style and content. If this piece were about blood or bones or lungs, it would have aired on NPR. But because it is about the prostate, and includes a talking penis, it presented problems for broadcast. There’s no equal time for body parts. Barrett Golding of HearingVoices asked us if we at Transom would be interested. Yes. Cancer is cancer and it makes sense to talk about it openly and personally, wherever in the body it occurs. The piece also presents complex challenges of interest to radio producers. It is based on a stage presentation written by the patient himself, Jeff Metcalf, and performed by Paul Kiernan. It was recorded and produced for radio by the estimable Scott Carrier and Larry Massett. They are present on Transom to talk about this work, its style and content. If this piece were about blood or bones or lungs, it would have aired on NPR. But because it is about the prostate, and includes a talking penis, it presented problems for broadcast. There’s no equal time for body parts. Barrett Golding of HearingVoices asked us if we at Transom would be interested. Yes. Cancer is cancer and it makes sense to talk about it openly and personally, wherever in the body it occurs. The piece also presents complex challenges of interest to radio producers. It is based on a stage presentation written by the patient himself, Jeff Metcalf, and performed by Paul Kiernan. It was recorded and produced for radio by the estimable Scott Carrier and Larry Massett. They are present on Transom to talk about this work, its style and content. tag:odeo.com,2009-02-05,24077036 Thu, 05 Feb 2009 10:53:20 -0800 yes Transom podcasts, Shows http://odeo.com/episodes/23972931-Killer-Whales Ari Daniel Shapiro is following that well-worn career path from Killer Whale Biologist to Public Radio Producer. This piece is an homage to his former profession--a gentle paean to the passion field biologists feel for their work, and, in this case, for whales. It also confronts the quandary that plagues both journalists and biologists: What if your quarry doesn't show up? How do you still tell its story? Ari has been working with us at Atlantic Public Media in Woods Hole, and we're also featuring a bunch of the "Science Minutes" he's made, and an amazing ninety-second video tribute to cell division, with an unexpected musical soundtrack. Ari Daniel Shapiro is following that well-worn career path from Killer Whale Biologist to Public Radio Producer. This piece is an homage to his former profession--a gentle paean to the passion field biologists feel for their work, and, in this case, for whales. It also confronts the quandary that plagues both journalists and biologists: What if your quarry doesn't show up? How do you still tell its story? Ari has been working with us at Atlantic Public Media in Woods Hole, and we're also featuring a bunch of the "Science Minutes" he's made, and an amazing ninety-second video tribute to cell division, with an unexpected musical soundtrack. Ari Daniel Shapiro is following that well-worn career path from Killer Whale Biologist to Public Radio Producer. This piece is an homage to his former profession--a gentle paean to the passion field biologists feel for their work, and, in this case, for whales. It also confronts the quandary that plagues both journalists and biologists: What if your quarry doesn't show up? How do you still tell its story? Ari has been working with us at Atlantic Public Media in Woods Hole, and we're also featuring a bunch of the "Science Minutes" he's made, and an amazing ninety-second video tribute to cell division, with an unexpected musical soundtrack. tag:odeo.com,2009-01-22,23972931 Thu, 22 Jan 2009 10:15:20 -0800 yes Transom podcasts, Shows http://odeo.com/episodes/23711973-After-The-Forgetting This is a delicate story about love and dementia. It weaves memory and moments through the intertwined lives of Greg Sharrow, his mother Marj, and his husband Bob. And, if you’re wrestling with a tricky emotional story, producer Erica Heilman has written usefully on Transom about the process of making this meditation. As she says, she wanted to “offer people a picture of how one family is managing dementia in a really graceful, loving way. I wanted to achieve this without ever using words like ‘loving’ or ‘graceful’." This is a delicate story about love and dementia. It weaves memory and moments through the intertwined lives of Greg Sharrow, his mother Marj, and his husband Bob. And, if you’re wrestling with a tricky emotional story, producer Erica Heilman has written usefully on Transom about the process of making this meditation. As she says, she wanted to “offer people a picture of how one family is managing dementia in a really graceful, loving way. I wanted to achieve this without ever using words like ‘loving’ or ‘graceful’." This is a delicate story about love and dementia. It weaves memory and moments through the intertwined lives of Greg Sharrow, his mother Marj, and his husband Bob. And, if you’re wrestling with a tricky emotional story, producer Erica Heilman has written usefully on Transom about the process of making this meditation. As she says, she wanted to “offer people a picture of how one family is managing dementia in a really graceful, loving way. I wanted to achieve this without ever using words like ‘loving’ or ‘graceful’." tag:odeo.com,2008-12-01,23711973 Mon, 01 Dec 2008 15:23:26 -0800 yes Transom podcasts, Shows http://odeo.com/episodes/23668910-Curtis-Fox Curtis Fox produces podcasts for The New Yorker, The Poetry Foundation, Parents Magazine and others. He got his start in public radio and it still resonates in what he does. In this issue of The Transom Review, Curtis lays out his podcast philosophy, plays samples, and answers all sorts of practical questions too. Come download the PDF of Curtis’s dispatch from this edge of the multi-dimensional new world of audio distribution. Curtis Fox produces podcasts for The New Yorker, The Poetry Foundation, Parents Magazine and others. He got his start in public radio and it still resonates in what he does. In this issue of The Transom Review, Curtis lays out his podcast philosophy, plays samples, and answers all sorts of practical questions too. Come download the PDF of Curtis’s dispatch from this edge of the multi-dimensional new world of audio distribution. Curtis Fox produces podcasts for The New Yorker, The Poetry Foundation, Parents Magazine and others. He got his start in public radio and it still resonates in what he does. In this issue of The Transom Review, Curtis lays out his podcast philosophy, plays samples, and answers all sorts of practical questions too. Come download the PDF of Curtis’s dispatch from this edge of the multi-dimensional new world of audio distribution. tag:odeo.com,2008-11-24,23668910 Mon, 24 Nov 2008 23:25:25 -0800 yes Transom podcasts, guests http://odeo.com/episodes/23631827-Love-Radio Somewhere between NPR and a shockumentary special on Fox is alt.NPR’s Love & Radio–a surreal journey into a confusing world of ex-lovers, ex-cult members, and fruit. Lots of fruit. Love & Radio is what Ira Glass might make if he showed up to work drunk. Somewhere between NPR and a shockumentary special on Fox is alt.NPR’s Love & Radio–a surreal journey into a confusing world of ex-lovers, ex-cult members, and fruit. Lots of fruit. Love & Radio is what Ira Glass might make if he showed up to work drunk. Somewhere between NPR and a shockumentary special on Fox is alt.NPR’s Love & Radio–a surreal journey into a confusing world of ex-lovers, ex-cult members, and fruit. Lots of fruit. Love & Radio is what Ira Glass might make if he showed up to work drunk. tag:odeo.com,2008-11-17,23631827 Mon, 17 Nov 2008 11:18:35 -0800 yes Transom podcasts http://odeo.com/episodes/23601596-Dial-A-Stranger Dial-A-Stranger takes questions from random strangers (like you), and poses them to other strangers (like you) on the telephone. It’s a source of communication, assistance and entertainment. It is a community project, an anthology, and a hobby. Dial-A-Stranger takes questions from random strangers (like you), and poses them to other strangers (like you) on the telephone. It’s a source of communication, assistance and entertainment. It is a community project, an anthology, and a hobby. Dial-A-Stranger takes questions from random strangers (like you), and poses them to other strangers (like you) on the telephone. It’s a source of communication, assistance and entertainment. It is a community project, an anthology, and a hobby. tag:odeo.com,2008-11-09,23601596 Sun, 09 Nov 2008 22:50:13 -0800 yes Transom podcasts http://odeo.com/episodes/23582988-Studs-Terkel In memory of our friend, Studs Terkel, who passed away last week - we're featuring Studs' 2001 conversation with Transom's own Sydney Lewis. Studs remains an inspiration to us - always listening, sending out stories. When asked what his ideal broadcasting day would be, he said, "I'd want the human voice. Expressing grievances, or delight, or whatever it might be. But something real." Something real. We hope you enjoy this conversation with Studs and that you'll visit Transom.org where you'll find a complete transcript of this conversation. In memory of our friend, Studs Terkel, who passed away last week - we're featuring Studs' 2001 conversation with Transom's own Sydney Lewis. Studs remains an inspiration to us - always listening, sending out stories. When asked what his ideal broadcasting day would be, he said, "I'd want the human voice. Expressing grievances, or delight, or whatever it might be. But something real." Something real. We hope you enjoy this conversation with Studs and that you'll visit Transom.org where you'll find a complete transcript of this conversation. In memory of our friend, Studs Terkel, who passed away last week - we're featuring Studs' 2001 conversation with Transom's own Sydney Lewis. Studs remains an inspiration to us - always listening, sending out stories. When asked what his ideal broadcasting day would be, he said, "I'd want the human voice. Expressing grievances, or delight, or whatever it might be. But something real." Something real. We hope you enjoy this conversation with Studs and that you'll visit Transom.org where you'll find a complete transcript of this conversation. tag:odeo.com,2008-11-05,23582988 Wed, 05 Nov 2008 09:35:51 -0800 yes Transom podcasts http://odeo.com/episodes/23601597-Studs-Terkel-1912-2008 Transom is again featuring Studs Terkel's Manifesto from 2001, his conversation with Sydney Lewis on radio, improvisation, fireside chats, ineptitude, jazz, Vox Humana, and dozens of other notions his mind leapt to. Studs remains an inspiration to us--always listening, sending out stories. When asked what his ideal broadcast day would be, he said, "I'd want the human voice. Expressing grievances, or delight, or whatever it might be. But something real." Something Real. Transom is again featuring Studs Terkel's Manifesto from 2001, his conversation with Sydney Lewis on radio, improvisation, fireside chats, ineptitude, jazz, Vox Humana, and dozens of other notions his mind leapt to. Studs remains an inspiration to us--always listening, sending out stories. When asked what his ideal broadcast day would be, he said, "I'd want the human voice. Expressing grievances, or delight, or whatever it might be. But something real." Something Real. Transom is again featuring Studs Terkel's Manifesto from 2001, his conversation with Sydney Lewis on radio, improvisation, fireside chats, ineptitude, jazz, Vox Humana, and dozens of other notions his mind leapt to. Studs remains an inspiration to us--always listening, sending out stories. When asked what his ideal broadcast day would be, he said, "I'd want the human voice. Expressing grievances, or delight, or whatever it might be. But something real." Something Real. tag:odeo.com,2008-11-05,23601597 Wed, 05 Nov 2008 09:35:51 -0800 yes Transom podcasts, guests http://odeo.com/episodes/23587569-Studs-Terkel-1912-2008 Transom is again featuring Studs Terkel's Manifesto from 2001, his conversation with Sydney Lewis on radio, improvisation, fireside chats, ineptitude, jazz, Vox Humana, and dozens of other notions his mind leapt to. Studs remains an inspiration to us--always listening, sending out stories. When asked what his ideal broadcast day would be, he said, "I'd want the human voice. Expressing grievances, or delight, or whatever it might be. But something real." Something Real. Transom is again featuring Studs Terkel's Manifesto from 2001, his conversation with Sydney Lewis on radio, improvisation, fireside chats, ineptitude, jazz, Vox Humana, and dozens of other notions his mind leapt to. Studs remains an inspiration to us--always listening, sending out stories. When asked what his ideal broadcast day would be, he said, "I'd want the human voice. Expressing grievances, or delight, or whatever it might be. But something real." Something Real. Transom is again featuring Studs Terkel's Manifesto from 2001, his conversation with Sydney Lewis on radio, improvisation, fireside chats, ineptitude, jazz, Vox Humana, and dozens of other notions his mind leapt to. Studs remains an inspiration to us--always listening, sending out stories. When asked what his ideal broadcast day would be, he said, "I'd want the human voice. Expressing grievances, or delight, or whatever it might be. But something real." Something Real. tag:odeo.com,2008-11-05,23587569 Wed, 05 Nov 2008 09:35:51 -0800 yes Transom podcasts, guests http://odeo.com/episodes/25391018-Frickin-Circus Part audio blog, part travel show, and part behind-the-scenes at the circus. Part audio blog, part travel show, and part behind-the-scenes at the circus. Part audio blog, part travel show, and part behind-the-scenes at the circus. tag:odeo.com,2008-10-27,25391018 Mon, 27 Oct 2008 11:26:20 -0700 yes Transom podcasts http://odeo.com/episodes/23542400-Frickin-Circus Part audio blog, part travel show, and part behind-the-scenes at the circus. Part audio blog, part travel show, and part behind-the-scenes at the circus. Part audio blog, part travel show, and part behind-the-scenes at the circus. tag:odeo.com,2008-10-27,23542400 Mon, 27 Oct 2008 10:26:20 -0700 yes Transom podcasts http://odeo.com/episodes/23601598-Frickin-Circus Part audio blog, part travel show, and part behind-the-scenes at the circus. Part audio blog, part travel show, and part behind-the-scenes at the circus. Part audio blog, part travel show, and part behind-the-scenes at the circus. tag:odeo.com,2008-10-27,23601598 Mon, 27 Oct 2008 10:26:20 -0700 yes Transom podcasts http://odeo.com/episodes/23457352-Curtis-Fox Curtis Fox runs a small podcast production company whose main clients are The Poetry Foundation, The New Yorker, and Parents Magazine. He comes out of public radio, where he contributed to many shows, including All Things Considered, Studio 360 and On the Media. He worked on staff for a now defunct show called The Next Big Thing, producing radio drama, cultural journalism, interviews and personal essays. He lives in Brooklyn with a his wife and two young daughters. Curtis Fox runs a small podcast production company whose main clients are The Poetry Foundation, The New Yorker, and Parents Magazine. He comes out of public radio, where he contributed to many shows, including All Things Considered, Studio 360 and On the Media. He worked on staff for a now defunct show called The Next Big Thing, producing radio drama, cultural journalism, interviews and personal essays. He lives in Brooklyn with a his wife and two young daughters. Curtis Fox runs a small podcast production company whose main clients are The Poetry Foundation, The New Yorker, and Parents Magazine. He comes out of public radio, where he contributed to many shows, including All Things Considered, Studio 360 and On the Media. He worked on staff for a now defunct show called The Next Big Thing, producing radio drama, cultural journalism, interviews and personal essays. He lives in Brooklyn with a his wife and two young daughters. tag:odeo.com,2008-09-23,23457352 Tue, 23 Sep 2008 16:13:25 -0700 yes Transom podcasts, guests http://odeo.com/episodes/23601599-Curtis-Fox Curtis Fox runs a small podcast production company whose main clients are The Poetry Foundation, The New Yorker, and Parents Magazine. He comes out of public radio, where he contributed to many shows, including All Things Considered, Studio 360 and On the Media. He worked on staff for a now defunct show called The Next Big Thing, producing radio drama, cultural journalism, interviews and personal essays. He lives in Brooklyn with a his wife and two young daughters. Curtis Fox runs a small podcast production company whose main clients are The Poetry Foundation, The New Yorker, and Parents Magazine. He comes out of public radio, where he contributed to many shows, including All Things Considered, Studio 360 and On the Media. He worked on staff for a now defunct show called The Next Big Thing, producing radio drama, cultural journalism, interviews and personal essays. He lives in Brooklyn with a his wife and two young daughters. Curtis Fox runs a small podcast production company whose main clients are The Poetry Foundation, The New Yorker, and Parents Magazine. He comes out of public radio, where he contributed to many shows, including All Things Considered, Studio 360 and On the Media. He worked on staff for a now defunct show called The Next Big Thing, producing radio drama, cultural journalism, interviews and personal essays. He lives in Brooklyn with a his wife and two young daughters. tag:odeo.com,2008-09-23,23601599 Tue, 23 Sep 2008 16:13:25 -0700 yes Transom podcasts, guests http://odeo.com/episodes/23663666-Curtis-Fox Curtis Fox runs a small podcast production company whose main clients are The Poetry Foundation, The New Yorker, and Parents Magazine. He comes out of public radio, where he contributed to many shows, including All Things Considered, Studio 360 and On the Media. He worked on staff for a now defunct show called The Next Big Thing, producing radio drama, cultural journalism, interviews and personal essays. He lives in Brooklyn with a his wife and two young daughters. Curtis Fox runs a small podcast production company whose main clients are The Poetry Foundation, The New Yorker, and Parents Magazine. He comes out of public radio, where he contributed to many shows, including All Things Considered, Studio 360 and On the Media. He worked on staff for a now defunct show called The Next Big Thing, producing radio drama, cultural journalism, interviews and personal essays. He lives in Brooklyn with a his wife and two young daughters. Curtis Fox runs a small podcast production company whose main clients are The Poetry Foundation, The New Yorker, and Parents Magazine. He comes out of public radio, where he contributed to many shows, including All Things Considered, Studio 360 and On the Media. He worked on staff for a now defunct show called The Next Big Thing, producing radio drama, cultural journalism, interviews and personal essays. He lives in Brooklyn with a his wife and two young daughters. tag:odeo.com,2008-09-23,23663666 Tue, 23 Sep 2008 10:25:25 -0700 yes Transom podcasts, guests http://odeo.com/episodes/23271709-Fake-City-Real-Dreams Zak Rosen is a radio producer. Neil Greenberg is a map-maker. They're both from Detroit, but their hearts are in a different city, a city they think is possible--at least in the imagination and maybe in reality. The radio piece they made together treats this place as if it were real. It is a creative exercise that hints at a plausible future. Fake City, Real Dreams is unlike any "arts feature" you've heard before. Zak Rosen is a radio producer. Neil Greenberg is a map-maker. They're both from Detroit, but their hearts are in a different city, a city they think is possible--at least in the imagination and maybe in reality. The radio piece they made together treats this place as if it were real. It is a creative exercise that hints at a plausible future. Fake City, Real Dreams is unlike any "arts feature" you've heard before. Zak Rosen is a radio producer. Neil Greenberg is a map-maker. They're both from Detroit, but their hearts are in a different city, a city they think is possible--at least in the imagination and maybe in reality. The radio piece they made together treats this place as if it were real. It is a creative exercise that hints at a plausible future. Fake City, Real Dreams is unlike any "arts feature" you've heard before. tag:odeo.com,2008-08-27,23271709 Wed, 27 Aug 2008 08:40:34 -0700 yes Transom podcasts, Shows http://odeo.com/episodes/23601600-Fake-City-Real-Dreams Zak Rosen is a radio producer. Neil Greenberg is a map-maker. They're both from Detroit, but their hearts are in a different city, a city they think is possible--at least in the imagination and maybe in reality. The radio piece they made together treats this place as if it were real. It is a creative exercise that hints at a plausible future. Fake City, Real Dreams is unlike any "arts feature" you've heard before. Zak Rosen is a radio producer. Neil Greenberg is a map-maker. They're both from Detroit, but their hearts are in a different city, a city they think is possible--at least in the imagination and maybe in reality. The radio piece they made together treats this place as if it were real. It is a creative exercise that hints at a plausible future. Fake City, Real Dreams is unlike any "arts feature" you've heard before. Zak Rosen is a radio producer. Neil Greenberg is a map-maker. They're both from Detroit, but their hearts are in a different city, a city they think is possible--at least in the imagination and maybe in reality. The radio piece they made together treats this place as if it were real. It is a creative exercise that hints at a plausible future. Fake City, Real Dreams is unlike any "arts feature" you've heard before. tag:odeo.com,2008-08-27,23601600 Wed, 27 Aug 2008 08:40:34 -0700 yes Transom podcasts, Shows http://odeo.com/episodes/25104206-HHb-FlashMic-DRM85 Continuing in Transom's tradition of reviewing the new digital field gear for radio reporting, our Tools Editor Jeff Towne has just finished testing the HHb FlashMics, in both cardioid and omni versions. He posits, "What if you could have a good interview mic, and not worry about cables, or phantom power, or whether the mic is compatible with your recorder? What if you could hold it and operate it with one hand? Well, you can." This is a unique field recorder, albeit expensive and with a few other downsides--but, depending on your requirements, certainly a tool you should check out. Continuing in Transom's tradition of reviewing the new digital field gear for radio reporting, our Tools Editor Jeff Towne has just finished testing the HHb FlashMics, in both cardioid and omni versions. He posits, "What if you could have a good interview mic, and not worry about cables, or phantom power, or whether the mic is compatible with your recorder? What if you could hold it and operate it with one hand? Well, you can." This is a unique field recorder, albeit expensive and with a few other downsides--but, depending on your requirements, certainly a tool you should check out. Continuing in Transom's tradition of reviewing the new digital field gear for radio reporting, our Tools Editor Jeff Towne has just finished testing the HHb FlashMics, in both cardioid and omni versions. He posits, "What if you could have a good interview mic, and not worry about cables, or phantom power, or whether the mic is compatible with your recorder? What if you could hold it and operate it with one hand? Well, you can." This is a unique field recorder, albeit expensive and with a few other downsides--but, depending on your requirements, certainly a tool you should check out. tag:odeo.com,2008-08-07,25104206 Thu, 07 Aug 2008 10:48:02 -0700 yes Transom tools http://odeo.com/episodes/23271713-How-Are-You-Who-You-Are The Nadeaus were, to most eyes, an ideal family--enlightened, brilliant, prosperous. But then things turned upsidedown. In a remarkable series of events, Doug and Lynn Nadeau were forced to re-define their identities, to confirm the foundation of their love. Eric Winick knew and admired the Nadeau's growing up in Marblehead, Massachusetts, and this portrait of their relationship is his first piece for radio, made with skills he acquired at Transom. The Nadeaus were, to most eyes, an ideal family--enlightened, brilliant, prosperous. But then things turned upsidedown. In a remarkable series of events, Doug and Lynn Nadeau were forced to re-define their identities, to confirm the foundation of their love. Eric Winick knew and admired the Nadeau's growing up in Marblehead, Massachusetts, and this portrait of their relationship is his first piece for radio, made with skills he acquired at Transom. The Nadeaus were, to most eyes, an ideal family--enlightened, brilliant, prosperous. But then things turned upsidedown. In a remarkable series of events, Doug and Lynn Nadeau were forced to re-define their identities, to confirm the foundation of their love. Eric Winick knew and admired the Nadeau's growing up in Marblehead, Massachusetts, and this portrait of their relationship is his first piece for radio, made with skills he acquired at Transom. tag:odeo.com,2008-06-19,23271713 Thu, 19 Jun 2008 17:32:23 -0700 yes Transom podcasts, Shows http://odeo.com/episodes/23601601-How-Are-You-Who-You-Are The Nadeaus were, to most eyes, an ideal family--enlightened, brilliant, prosperous. But then things turned upsidedown. In a remarkable series of events, Doug and Lynn Nadeau were forced to re-define their identities, to confirm the foundation of their love. The Nadeaus were, to most eyes, an ideal family--enlightened, brilliant, prosperous. But then things turned upsidedown. In a remarkable series of events, Doug and Lynn Nadeau were forced to re-define their identities, to confirm the foundation of their love. The Nadeaus were, to most eyes, an ideal family--enlightened, brilliant, prosperous. But then things turned upsidedown. In a remarkable series of events, Doug and Lynn Nadeau were forced to re-define their identities, to confirm the foundation of their love. tag:odeo.com,2008-06-19,23601601 Thu, 19 Jun 2008 17:32:23 -0700 yes Transom podcasts, Shows http://odeo.com/episodes/25104207-Elizabeth-Arnold Now you can download Elizabeth's frank and useful Manifesto "On Interviewing," along with her dialog with Transom users. Elizabeth talks about interview situations from Alaska to Sri Lanka to Mongolia to Capital Hill. "I don't think being dispassionate necessarily translates into fairness or even objectivity. Often it translates into a boring story where you can actually feel the distance between the reporter and the subject and even more troubling to me, the reporter or host can often sound downright condescending. I hate that!" Now you can download Elizabeth's frank and useful Manifesto "On Interviewing," along with her dialog with Transom users. Elizabeth talks about interview situations from Alaska to Sri Lanka to Mongolia to Capital Hill. "I don't think being dispassionate necessarily translates into fairness or even objectivity. Often it translates into a boring story where you can actually feel the distance between the reporter and the subject and even more troubling to me, the reporter or host can often sound downright condescending. I hate that!" Now you can download Elizabeth's frank and useful Manifesto "On Interviewing," along with her dialog with Transom users. Elizabeth talks about interview situations from Alaska to Sri Lanka to Mongolia to Capital Hill. "I don't think being dispassionate necessarily translates into fairness or even objectivity. Often it translates into a boring story where you can actually feel the distance between the reporter and the subject and even more troubling to me, the reporter or host can often sound downright condescending. I hate that!" tag:odeo.com,2008-06-19,25104207 Thu, 19 Jun 2008 11:26:23 -0700 yes Transom guests http://odeo.com/episodes/25104208-More-Mini-FM Here’s Justin and I with our brand-spanking new FM transmitters. If you’re interested in building your own, you can follow Tetsuo’s instructions online. It’s surprisingly simpler than it looks on first glance. Just be careful–one of our fellow workshop attendees got hot solder about half an inch from her eye. I don’t recommend doing that. As Justin [...] Here’s Justin and I with our brand-spanking new FM transmitters. If you’re interested in building your own, you can follow Tetsuo’s instructions online. It’s surprisingly simpler than it looks on first glance. Just be careful–one of our fellow workshop attendees got hot solder about half an inch from her eye. I don’t recommend doing that. As Justin [...] Here’s Justin and I with our brand-spanking new FM transmitters. If you’re interested in building your own, you can follow Tetsuo’s instructions online. It’s surprisingly simpler than it looks on first glance. Just be careful–one of our fellow workshop attendees got hot solder about half an inch from her eye. I don’t recommend doing that. As Justin [...] tag:odeo.com,2008-05-31,25104208 Sat, 31 May 2008 17:22:27 -0700 yes Transom Deep Wireless 2008 http://odeo.com/episodes/23601602-Running-From-Myself There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. tag:odeo.com,2008-03-05,23601602 Wed, 05 Mar 2008 07:07:06 -0800 yes Transom podcasts http://odeo.com/episodes/22492884-Running-From-Myself-produced-by-Louis-with-Anthony-Mascorro About this Feature There’s something about Louis’ voice; it’s both wise and callow. It feels like he has the answers while he’s searching for them. Louis used to rob people on the street, but he stopped. Now, he’s trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you’ll visit Transom to listen, and talk to Louis and Anthony about their piece. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature There’s something about Louis’ voice; it’s both wise and callow. It feels like he has the answers while he’s searching for them. Louis used to rob people on the street, but he stopped. Now, he’s trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you’ll visit Transom to listen, and talk to Louis and Anthony about their piece. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature There’s something about Louis’ voice; it’s both wise and callow. It feels like he has the answers while he’s searching for them. Louis used to rob people on the street, but he stopped. Now, he’s trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you’ll visit Transom to listen, and talk to Louis and Anthony about their piece. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-03-05,22492884 Wed, 05 Mar 2008 07:07:06 -0800 yes Transom podcasts http://odeo.com/episodes/23038452-Running-From-Myself There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. tag:odeo.com,2008-03-05,23038452 Wed, 05 Mar 2008 07:07:06 -0800 yes Transom podcasts http://odeo.com/episodes/22447396-HIGHLIGHTS-Running-From-Myself-produced-by-Louis-with-Anthony-Mascorro About this Feature There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-03-05,22447396 Wed, 05 Mar 2008 00:07:06 -0800 yes Transom HIGHLIGHTS http://odeo.com/episodes/22487360-Creature-Comforts About this Feature In case you haven’t seen them already, we thought we’d post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. Download the video Visit this Feature Page Discuss this Feature in TALK About this Feature In case you haven’t seen them already, we thought we’d post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. Download the video Visit this Feature Page Discuss this Feature in TALK About this Feature In case you haven’t seen them already, we thought we’d post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. Download the video Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-02-22,22487360 Fri, 22 Feb 2008 11:46:13 -0800 yes Transom podcasts http://odeo.com/episodes/23601603-Creature-Comforts In case you haven't seen them already, we thought we'd post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. In case you haven't seen them already, we thought we'd post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. In case you haven't seen them already, we thought we'd post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. tag:odeo.com,2008-02-22,23601603 Fri, 22 Feb 2008 11:46:13 -0800 yes Transom podcasts http://odeo.com/episodes/22487361-Creature-Comforts About this Feature In case you haven’t seen them already, we thought we’d post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. Download the video Visit this Feature Page Discuss this Feature in TALK About this Feature In case you haven’t seen them already, we thought we’d post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. Download the video Visit this Feature Page Discuss this Feature in TALK About this Feature In case you haven’t seen them already, we thought we’d post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. Download the video Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-02-22,22487361 Fri, 22 Feb 2008 11:18:34 -0800 yes Transom podcasts http://odeo.com/episodes/23601604-Creature-Comforts In case you haven't seen them already, we thought we'd post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. In case you haven't seen them already, we thought we'd post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. In case you haven't seen them already, we thought we'd post these animation gems. They are the work of our current Guests - the team behind Creature Comforts. All the voices come from interviews with real people. Watch. Enjoy. And then come join the conversation at Transom.org. tag:odeo.com,2008-02-22,23601604 Fri, 22 Feb 2008 11:18:34 -0800 yes Transom podcasts http://odeo.com/episodes/22143188-HIGHLIGHTS-Creature-Comforts-interview-with-Transom About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this F... About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-02-21,22143188 Thu, 21 Feb 2008 02:22:08 -0800 yes Transom HIGHLIGHTS http://odeo.com/episodes/22142798-HIGHLIGHTS-Creature-Comforts-part-2-interview-with-Transom About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this F... About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-02-20,22142798 Wed, 20 Feb 2008 14:20:19 -0800 yes Transom HIGHLIGHTS http://odeo.com/episodes/22487362-Creature-Comforts-part-2-interview-with-Transom About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven’t seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There’s a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard “Golly” Goleszowski, and Dan Sinclair talk to Transom’s Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There’s also a “Making Of” video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You’ll like it. D... About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven’t seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There’s a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard “Golly” Goleszowski, and Dan Sinclair talk to Transom’s Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There’s also a “Making Of” video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You’ll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven’t seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There’s a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard “Golly” Goleszowski, and Dan Sinclair talk to Transom’s Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There’s also a “Making Of” video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You’ll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-02-20,22487362 Wed, 20 Feb 2008 12:25:36 -0800 yes Transom podcasts http://odeo.com/episodes/23601605-Creature-Comforts-part-2-interview-with-Transom Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. tag:odeo.com,2008-02-20,23601605 Wed, 20 Feb 2008 12:25:36 -0800 yes Transom podcasts http://odeo.com/episodes/22615686-HIGHLIGHTS-Creature-Comforts-part-2-interview-with-Transom About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this F... About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-02-19,22615686 Tue, 19 Feb 2008 23:25:36 -0800 yes Transom HIGHLIGHTS http://odeo.com/episodes/22487363-Creature-Comforts-interview-with-Transom About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven’t seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There’s a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard “Golly” Goleszowski, and Dan Sinclair talk to Transom’s Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There’s also a “Making Of” video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You’ll like it. D... About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven’t seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There’s a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard “Golly” Goleszowski, and Dan Sinclair talk to Transom’s Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There’s also a “Making Of” video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You’ll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven’t seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There’s a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard “Golly” Goleszowski, and Dan Sinclair talk to Transom’s Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There’s also a “Making Of” video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You’ll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-02-11,22487363 Mon, 11 Feb 2008 06:44:29 -0800 yes Transom podcasts http://odeo.com/episodes/23601606-Creature-Comforts-interview-with-Transom Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. tag:odeo.com,2008-02-11,23601606 Mon, 11 Feb 2008 06:44:29 -0800 yes Transom podcasts http://odeo.com/episodes/22130740-Creature-Comforts-interview-with-Transom About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this F... About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-02-11,22130740 Mon, 11 Feb 2008 01:45:11 -0800 yes Transom http://odeo.com/episodes/22447397-HIGHLIGHTS-Creature-Comforts-interview-with-Transom About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this F... About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature Transom is proud to welcome the creative team behind our favorite animated series, Creature Comforts. If you haven't seen it, get thee quickly to their Transom pages and catch up. This series comes from Aardman Animation in England (home of Wallace and Gromit, Chicken Run, etc.), and is inhabited by claymation animals whose identities are derived from audio interviews with real people. There's a kinship between radio and animation, because we all imagine the source of voices we hear, and if our imaginations are free-ranging and whimsical, the voices might look like this. Kit Boss, Richard "Golly" Goleszowski, and Dan Sinclair talk to Transom's Samantha Broun. The conversation is transcribed, illustrated with audio/video, and is downloadable in MP3. There's also a "Making Of" video, and all sorts of background and technique, including interviewing. And you can ask questions. This is good stuff. You'll like it. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-02-10,22447397 Sun, 10 Feb 2008 23:44:29 -0800 yes Transom HIGHLIGHTS http://odeo.com/episodes/22562372-Running-From-Myself There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. tag:odeo.com,2008-02-09,22562372 Sat, 09 Feb 2008 06:25:34 -0800 yes Transom podcasts, Shows http://odeo.com/episodes/23614912-Running-From-Myself There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. There's something about Louis' voice; it's both wise and callow. It feels like he has the answers while he's searching for them. Louis used to rob people on the street, but he stopped. Now, he's trying to reconcile the person he was with the person he is and wants to be. Louis worked with Anthony Mascorro at 826NYC to tell this powerful, complicated story. (By the way, it was nice for us to learn that Anthony acquired his editing chops at Transom.) We all hope you'll visit Transom to listen, and talk to Louis and Anthony about their piece. tag:odeo.com,2008-02-09,23614912 Sat, 09 Feb 2008 06:25:34 -0800 yes Transom podcasts, Shows http://odeo.com/episodes/22049136-HIGHLIGHTS-Carrie-s-Letters-From-Jail About this Feature From April, 2001 - Producer Mark Moran created this audio portrait of Carrie, a repeat criminal offender and prison inmate - all through her own reflections and letters written to loved ones while behind bars. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature From April, 2001 - Producer Mark Moran created this audio portrait of Carrie, a repeat criminal offender and prison inmate - all through her own reflections and letters written to loved ones while behind bars. Download the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature From April, 2001 - Producer Mark Moran created this audio portrait of Carrie, a repeat criminal offender and prison inmate - all through her own reflections and letters written to loved ones while behind bars. Download the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-01-10,22049136 Thu, 10 Jan 2008 15:20:56 -0800 yes Transom HIGHLIGHTS http://odeo.com/episodes/22049141-HIGHLIGHTS-Seafood-Joint-Garbage-Stress-Test About this Feature From October, 2004 - When we first received Hans' work, the editors didn't know what to make of it. Once they figured it out, they decided he was brilliant and "dangerously ambiguous." Listen to this excerpt called "Stress Test." Download the MP3 Stream the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature From October, 2004 - When we first received Hans' work, the editors didn't know what to make of it. Once they figured it out, they decided he was brilliant and "dangerously ambiguous." Listen to this excerpt called "Stress Test." Download the MP3 Stream the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature From October, 2004 - When we first received Hans' work, the editors didn't know what to make of it. Once they figured it out, they decided he was brilliant and "dangerously ambiguous." Listen to this excerpt called "Stress Test." Download the MP3 Stream the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-01-10,22049141 Thu, 10 Jan 2008 15:20:56 -0800 yes Transom HIGHLIGHTS http://odeo.com/episodes/22049145-HIGHLIGHTS-Of-a-Piece About this Feature From April, 2004 - How do you maintain family traditions, or build new ones, after a divorce? Would an 8,000-piece jigsaw puzzle help? Michelle Orange thinks so. In fact, she'd even go 12,500. Download the MP3 Stream the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature From April, 2004 - How do you maintain family traditions, or build new ones, after a divorce? Would an 8,000-piece jigsaw puzzle help? Michelle Orange thinks so. In fact, she'd even go 12,500. Download the MP3 Stream the MP3 Visit this Feature Page Discuss this Feature in TALK About this Feature From April, 2004 - How do you maintain family traditions, or build new ones, after a divorce? Would an 8,000-piece jigsaw puzzle help? Michelle Orange thinks so. In fact, she'd even go 12,500. Download the MP3 Stream the MP3 Visit this Feature Page Discuss this Feature in TALK tag:odeo.com,2008-01-10,22049145 Thu, 10 Jan 2008 15:20:56 -0800 yes Transom HIGHLIGHTS