http://odeo.com/channels/101207-Classical-Performance-podcast-Audio-Podcast BrianKane no Produced by Basic Black for WGBH Educational Foundation. en 40 Fri, 06 Nov 2009 21:00:00 -0800 Fri, 06 Nov 2009 21:00:00 -0800 http://odeo.com/episodes/25418310-Peggy-Pearson-and-Katherine-Chi-play-Haydn Oboist Peggy Pearson has a knack for bringing together some of the finest musicians for her Winsor Music Chamber Series, performing concerts in the Boston area.  Here she joins the Canadian virtuoso pianist Katherine Chi to play a Sonata in G by Haydn, an arrangement of his String Quartet, Op. 77 No. 1. *** Haydn:  Sonata in G Peggy Pearson, oboe; Katherine Chi, piano +++ More information:  http://www.winsormusic.org/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Oboist Peggy Pearson has a knack for bringing together some of the finest musicians for her Winsor Music Chamber Series, performing concerts in the Boston area.  Here she joins the Canadian virtuoso pianist Katherine Chi to play a Sonata in G by Haydn, an arrangement of his String Quartet, Op. 77 No. 1. *** Haydn:  Sonata in G Peggy Pearson, oboe; Katherine Chi, piano +++ More information:  http://www.winsormusic.org/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Oboist Peggy Pearson has a knack for bringing together some of the finest musicians for her Winsor Music Chamber Series, performing concerts in the Boston area.  Here she joins the Canadian virtuoso pianist Katherine Chi to play a Sonata in G by Haydn, an arrangement of his String Quartet, Op. 77 No. 1. *** Haydn:  Sonata in G Peggy Pearson, oboe; Katherine Chi, piano +++ More information:  http://www.winsormusic.org/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-11-06,25418310 Fri, 06 Nov 2009 21:00:00 -0800 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25389254-Inna-Faliks-plays-Beethoven-and-Pasternak Nobody really knows what Beethoven's improvisations sounded like, but this Fantasy gives a rare glimpse into the  inventive mind of the master, as he put music together on the spot, at the piano. Eventually this was written down as his Op. 77.  As bonus, Inna Faliks plays a couple of Preludes by the composer, poet and novelist, Boris Pasternak. *** Beethoven:  Fantasy, Op. 77.  Pasternak:  Two Preludes (1906) Inna Faliks, piano +++ Recorded in a live broadcast in WGBH's Fraser Performance Studio on October 29th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Nobody really knows what Beethoven's improvisations sounded like, but this Fantasy gives a rare glimpse into the  inventive mind of the master, as he put music together on the spot, at the piano. Eventually this was written down as his Op. 77.  As bonus, Inna Faliks plays a couple of Preludes by the composer, poet and novelist, Boris Pasternak. *** Beethoven:  Fantasy, Op. 77.  Pasternak:  Two Preludes (1906) Inna Faliks, piano +++ Recorded in a live broadcast in WGBH's Fraser Performance Studio on October 29th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Nobody really knows what Beethoven's improvisations sounded like, but this Fantasy gives a rare glimpse into the  inventive mind of the master, as he put music together on the spot, at the piano. Eventually this was written down as his Op. 77.  As bonus, Inna Faliks plays a couple of Preludes by the composer, poet and novelist, Boris Pasternak. *** Beethoven:  Fantasy, Op. 77.  Pasternak:  Two Preludes (1906) Inna Faliks, piano +++ Recorded in a live broadcast in WGBH's Fraser Performance Studio on October 29th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-10-30,25389254 Fri, 30 Oct 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25383429-Aldo-Abreu-plays-Anonymous-music-from-Mexico This anonymous composer wrote some beautiful tunes.  Too bad we have no idea who he or she was!  These pieces dating from around 1750 were discovered in the Mexico City Cathedral.  Aldo Abreu has arranged them for recorder and basso continuo. *** Anonymous (Mexico City Cathedral, 1750):  Sonatas; Salaverde:  Canzona Segunda. Aldo Abreu, recorders; Peter Sykes, harpsichord; Sarah Freiburg, cello +++ More info:  http://www.hunsteinartists.com/artists/abreu.html Recorded in a live broadcast in WGBH's Fraser Performance Studio on October 22nd, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org   This anonymous composer wrote some beautiful tunes.  Too bad we have no idea who he or she was!  These pieces dating from around 1750 were discovered in the Mexico City Cathedral.  Aldo Abreu has arranged them for recorder and basso continuo. *** Anonymous (Mexico City Cathedral, 1750):  Sonatas; Salaverde:  Canzona Segunda. Aldo Abreu, recorders; Peter Sykes, harpsichord; Sarah Freiburg, cello +++ More info:  http://www.hunsteinartists.com/artists/abreu.html Recorded in a live broadcast in WGBH's Fraser Performance Studio on October 22nd, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org   This anonymous composer wrote some beautiful tunes.  Too bad we have no idea who he or she was!  These pieces dating from around 1750 were discovered in the Mexico City Cathedral.  Aldo Abreu has arranged them for recorder and basso continuo. *** Anonymous (Mexico City Cathedral, 1750):  Sonatas; Salaverde:  Canzona Segunda. Aldo Abreu, recorders; Peter Sykes, harpsichord; Sarah Freiburg, cello +++ More info:  http://www.hunsteinartists.com/artists/abreu.html Recorded in a live broadcast in WGBH's Fraser Performance Studio on October 22nd, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org   tag:odeo.com,2009-10-23,25383429 Fri, 23 Oct 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25303982-Narek-Hakhnazaryan-plays-Beethoven Beethoven's friend the Baron Ignaz von Gleichenstein was the lucky dedicatee of this beautiful Sonata for cello and piano.  Beethoven must have had a lot of respect for the cello-playing Baron, because he gave him the first notes of the theme to play without any accompaniment! *** Beethoven:  Sonata for Cello and Piano No. 3 in A major, Op. 69 Narek Hakhnazaryan, cello; Noreen Cassidy-Polera, piano. +++ More info:  http://www.yca.org/hakhnazaryan.html Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Beethoven's friend the Baron Ignaz von Gleichenstein was the lucky dedicatee of this beautiful Sonata for cello and piano.  Beethoven must have had a lot of respect for the cello-playing Baron, because he gave him the first notes of the theme to play without any accompaniment! *** Beethoven:  Sonata for Cello and Piano No. 3 in A major, Op. 69 Narek Hakhnazaryan, cello; Noreen Cassidy-Polera, piano. +++ More info:  http://www.yca.org/hakhnazaryan.html Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Beethoven's friend the Baron Ignaz von Gleichenstein was the lucky dedicatee of this beautiful Sonata for cello and piano.  Beethoven must have had a lot of respect for the cello-playing Baron, because he gave him the first notes of the theme to play without any accompaniment! *** Beethoven:  Sonata for Cello and Piano No. 3 in A major, Op. 69 Narek Hakhnazaryan, cello; Noreen Cassidy-Polera, piano. +++ More info:  http://www.yca.org/hakhnazaryan.html Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-10-16,25303982 Fri, 16 Oct 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25265626-Roberto-Plano-performs-Liszt-s-Petrarch-Sonnets Franz Liszt was captivated by the poetry of the 14th century humanist, Petrarch, who wrote ardent love poetry in honor of a woman he hardly knew, named Laura.  Liszt thought of these pieces as his own sonnets in honor of his beloved Marie, the Countess Marie D'Agoult. *** Liszt:  Three Sonnets of Petrarch. Roberto Plano, piano +++ More information:  http://www.robertoplano.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 10th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Franz Liszt was captivated by the poetry of the 14th century humanist, Petrarch, who wrote ardent love poetry in honor of a woman he hardly knew, named Laura.  Liszt thought of these pieces as his own sonnets in honor of his beloved Marie, the Countess Marie D'Agoult. *** Liszt:  Three Sonnets of Petrarch. Roberto Plano, piano +++ More information:  http://www.robertoplano.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 10th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Franz Liszt was captivated by the poetry of the 14th century humanist, Petrarch, who wrote ardent love poetry in honor of a woman he hardly knew, named Laura.  Liszt thought of these pieces as his own sonnets in honor of his beloved Marie, the Countess Marie D'Agoult. *** Liszt:  Three Sonnets of Petrarch. Roberto Plano, piano +++ More information:  http://www.robertoplano.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 10th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-10-09,25265626 Fri, 09 Oct 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25228171-Raphael-Popper-Keizer-and-Gloria-Chien-play-Debussy Debussy planned to write six sonatas before he died, for various combinations of instruments, but only got around to writing three before he died of colon cancer.  This Cello Sonata is the first one he finished.  He originally wanted to call it "Pierrot angry with the moon", refering to the unhappy clown character in Commedia dell'arte theater.  You can imagine PIerrot in this music: whimsical and funny, but occasionally revealing an undercurrent of sadness. *** Debussy:  Sonata for cello and piano Raphael Popper-Keizer, cello; Gloria Chien, piano. +++ More information:  http://www.chameleonarts.org/   Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 30th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Debussy planned to write six sonatas before he died, for various combinations of instruments, but only got around to writing three before he died of colon cancer.  This Cello Sonata is the first one he finished.  He originally wanted to call it "Pierrot angry with the moon", refering to the unhappy clown character in Commedia dell'arte theater.  You can imagine PIerrot in this music: whimsical and funny, but occasionally revealing an undercurrent of sadness. *** Debussy:  Sonata for cello and piano Raphael Popper-Keizer, cello; Gloria Chien, piano. +++ More information:  http://www.chameleonarts.org/   Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 30th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Debussy planned to write six sonatas before he died, for various combinations of instruments, but only got around to writing three before he died of colon cancer.  This Cello Sonata is the first one he finished.  He originally wanted to call it "Pierrot angry with the moon", refering to the unhappy clown character in Commedia dell'arte theater.  You can imagine PIerrot in this music: whimsical and funny, but occasionally revealing an undercurrent of sadness. *** Debussy:  Sonata for cello and piano Raphael Popper-Keizer, cello; Gloria Chien, piano. +++ More information:  http://www.chameleonarts.org/   Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 30th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-10-02,25228171 Fri, 02 Oct 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25194640-Pacifica-String-Quartet-performs-Mendelssohn Mendelssohn used his own song as a theme throughout this beautiful string quartet.  It asks the question, “Is it true that you wait for me each evening under the arbor – that you ask the moon and the stars about me? Is it true?  Oh, tell me!” *** Mendelssohn, Felix:  String Quartet No. 2 in A minor, Op. 130 Pacifica String Quartet +++ Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola;  Brandon Vamos, cello More info:  http://www.pacificaquartet.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on November 16th, 2007. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Mendelssohn used his own song as a theme throughout this beautiful string quartet.  It asks the question, “Is it true that you wait for me each evening under the arbor – that you ask the moon and the stars about me? Is it true?  Oh, tell me!” *** Mendelssohn, Felix:  String Quartet No. 2 in A minor, Op. 130 Pacifica String Quartet +++ Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola;  Brandon Vamos, cello More info:  http://www.pacificaquartet.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on November 16th, 2007. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Mendelssohn used his own song as a theme throughout this beautiful string quartet.  It asks the question, “Is it true that you wait for me each evening under the arbor – that you ask the moon and the stars about me? Is it true?  Oh, tell me!” *** Mendelssohn, Felix:  String Quartet No. 2 in A minor, Op. 130 Pacifica String Quartet +++ Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola;  Brandon Vamos, cello More info:  http://www.pacificaquartet.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on November 16th, 2007. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-09-26,25194640 Sat, 26 Sep 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25146912-Fenwick-Smith-and-John-Gibbons-play-C-P-E-Bach During the 1750’s, Carl Philipp Emanuel Bach, son of Johann Sebastian Bach, was a musician in the court of Frederick the Great, the king of Prussia.  In addition to being a shrewd and powerful king, Frederick was quite an accomplished flutist, so it’s not surprising that most of C.P.E. Bach’s flute compositions come from this period.  Sonatas like this one show off the beauty of the flute, of course, but they also serve as showcases for the art of the keyboard – C.P.E. was a harpsichord virtuoso.  We hear them played by modern virtuosos, Fenwick Smith and John Gibbons. *** Bach, C.P.E.: Sonata in G for flute, W.86 (1755) Fenwick Smith, flute; John Gibbons, harpsichord +++ More information:  http://fenwicksmith.com/ and http://necmusic.edu/faculty/john-gibbons Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 11th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org During the 1750’s, Carl Philipp Emanuel Bach, son of Johann Sebastian Bach, was a musician in the court of Frederick the Great, the king of Prussia.  In addition to being a shrewd and powerful king, Frederick was quite an accomplished flutist, so it’s not surprising that most of C.P.E. Bach’s flute compositions come from this period.  Sonatas like this one show off the beauty of the flute, of course, but they also serve as showcases for the art of the keyboard – C.P.E. was a harpsichord virtuoso.  We hear them played by modern virtuosos, Fenwick Smith and John Gibbons. *** Bach, C.P.E.: Sonata in G for flute, W.86 (1755) Fenwick Smith, flute; John Gibbons, harpsichord +++ More information:  http://fenwicksmith.com/ and http://necmusic.edu/faculty/john-gibbons Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 11th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org During the 1750’s, Carl Philipp Emanuel Bach, son of Johann Sebastian Bach, was a musician in the court of Frederick the Great, the king of Prussia.  In addition to being a shrewd and powerful king, Frederick was quite an accomplished flutist, so it’s not surprising that most of C.P.E. Bach’s flute compositions come from this period.  Sonatas like this one show off the beauty of the flute, of course, but they also serve as showcases for the art of the keyboard – C.P.E. was a harpsichord virtuoso.  We hear them played by modern virtuosos, Fenwick Smith and John Gibbons. *** Bach, C.P.E.: Sonata in G for flute, W.86 (1755) Fenwick Smith, flute; John Gibbons, harpsichord +++ More information:  http://fenwicksmith.com/ and http://necmusic.edu/faculty/john-gibbons Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 11th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-09-17,25146912 Thu, 17 Sep 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25159359-Fenwick-Smith-and-John-Gibbons-play-C-P-E-Bach During the 1750’s, Carl Philipp Emanuel Bach, son of Johann Sebastian Bach, was a musician in the court of Frederick the Great, the king of Prussia.  In addition to being a shrewd and powerful king, Frederick was quite an accomplished flutist, so it’s not surprising that most of C.P.E. Bach’s flute compositions come from this period.  Sonatas like this one show off the beauty of the flute, of course, but they also serve as showcases for the art of the keyboard – C.P.E. was a harpsichord virtuoso.  We hear them played by modern virtuosos, Fenwick Smith and John Gibbons. *** Bach, C.P.E.: Sonata in G for flute, W.86 (1755) Fenwick Smith, flute; John Gibbons, harpsichord +++ More information:  http://fenwicksmith.com/ and http://necmusic.edu/faculty/john-gibbons Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 11th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org During the 1750’s, Carl Philipp Emanuel Bach, son of Johann Sebastian Bach, was a musician in the court of Frederick the Great, the king of Prussia.  In addition to being a shrewd and powerful king, Frederick was quite an accomplished flutist, so it’s not surprising that most of C.P.E. Bach’s flute compositions come from this period.  Sonatas like this one show off the beauty of the flute, of course, but they also serve as showcases for the art of the keyboard – C.P.E. was a harpsichord virtuoso.  We hear them played by modern virtuosos, Fenwick Smith and John Gibbons. *** Bach, C.P.E.: Sonata in G for flute, W.86 (1755) Fenwick Smith, flute; John Gibbons, harpsichord +++ More information:  http://fenwicksmith.com/ and http://necmusic.edu/faculty/john-gibbons Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 11th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org During the 1750’s, Carl Philipp Emanuel Bach, son of Johann Sebastian Bach, was a musician in the court of Frederick the Great, the king of Prussia.  In addition to being a shrewd and powerful king, Frederick was quite an accomplished flutist, so it’s not surprising that most of C.P.E. Bach’s flute compositions come from this period.  Sonatas like this one show off the beauty of the flute, of course, but they also serve as showcases for the art of the keyboard – C.P.E. was a harpsichord virtuoso.  We hear them played by modern virtuosos, Fenwick Smith and John Gibbons. *** Bach, C.P.E.: Sonata in G for flute, W.86 (1755) Fenwick Smith, flute; John Gibbons, harpsichord +++ More information:  http://fenwicksmith.com/ and http://necmusic.edu/faculty/john-gibbons Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 11th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-09-17,25159359 Thu, 17 Sep 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25129225-Roberto-Plano-performs-Franz-Liszt Franz Liszt was deeply inspired by the landscape, music and culture of Italy, where he went for a while in the 1830’s with his lover and the mother of his three children, Marie d’Agoult.  The result of these travels was his Années de Pèlerinage (Years of Pilgrimage), in two sets of pieces published several years later.  These three pieces were published as a supplement to the Second Year. *** Liszt:  Venezia e Napoli Roberto Plano, piano +++ More information: http://www.robertoplano.com/i_index.asp Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 10, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org   Franz Liszt was deeply inspired by the landscape, music and culture of Italy, where he went for a while in the 1830’s with his lover and the mother of his three children, Marie d’Agoult.  The result of these travels was his Années de Pèlerinage (Years of Pilgrimage), in two sets of pieces published several years later.  These three pieces were published as a supplement to the Second Year. *** Liszt:  Venezia e Napoli Roberto Plano, piano +++ More information: http://www.robertoplano.com/i_index.asp Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 10, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org   Franz Liszt was deeply inspired by the landscape, music and culture of Italy, where he went for a while in the 1830’s with his lover and the mother of his three children, Marie d’Agoult.  The result of these travels was his Années de Pèlerinage (Years of Pilgrimage), in two sets of pieces published several years later.  These three pieces were published as a supplement to the Second Year. *** Liszt:  Venezia e Napoli Roberto Plano, piano +++ More information: http://www.robertoplano.com/i_index.asp Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 10, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org   tag:odeo.com,2009-09-11,25129225 Fri, 11 Sep 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25123467-Roberto-Plano-plays-Liszt Franz Liszt was deeply inspired by the landscape, music and culture of Italy, where he went for a while in the 1830’s with his lover and the mother of his three children, Marie d’Agoult.  The result of these travels was his Années de Pèlerinage (Years of Pilgrimage), in two sets of pieces published several years later.  These three pieces were published as a supplement to the Second Year. *** Liszt:  Venezia e Napoli Roberto Plano, piano +++ More information: http://www.robertoplano.com/i_index.asp Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 10, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org   Franz Liszt was deeply inspired by the landscape, music and culture of Italy, where he went for a while in the 1830’s with his lover and the mother of his three children, Marie d’Agoult.  The result of these travels was his Années de Pèlerinage (Years of Pilgrimage), in two sets of pieces published several years later.  These three pieces were published as a supplement to the Second Year. *** Liszt:  Venezia e Napoli Roberto Plano, piano +++ More information: http://www.robertoplano.com/i_index.asp Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 10, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org   Franz Liszt was deeply inspired by the landscape, music and culture of Italy, where he went for a while in the 1830’s with his lover and the mother of his three children, Marie d’Agoult.  The result of these travels was his Années de Pèlerinage (Years of Pilgrimage), in two sets of pieces published several years later.  These three pieces were published as a supplement to the Second Year. *** Liszt:  Venezia e Napoli Roberto Plano, piano +++ More information: http://www.robertoplano.com/i_index.asp Recorded in a live broadcast in WGBH's Fraser Performance Studio on September 10, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org   tag:odeo.com,2009-09-11,25123467 Fri, 11 Sep 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25097118-Helena-Winkelman-and-Anton-Kernjak-play-Brahms Johannes Brahms and Clara Schumann had a special relationship - there's no denying it.  Brahms wrote to his friend Joachim, "I often have to restrain myself forcibly from just quietly putting my arm around her..."  As for Clara, when she played his G major Violin Sonata, she wrote to Brahms, "...I could not help bursting into tears of joy over it."  There's no evidence of hanky-panky between them, but let's face it - he was head-over-heels in love! *** Brahms:  Violin Sonata No. 1 in G major, Op. 78 Helena Winkelman, violin; Anton Kernjak, piano +++ More information:  http://www.winkelman.ch/Helena/ Recorded in a live broadcast in WGBH's Radio Studio One on January 11th, 2005. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Johannes Brahms and Clara Schumann had a special relationship - there's no denying it.  Brahms wrote to his friend Joachim, "I often have to restrain myself forcibly from just quietly putting my arm around her..."  As for Clara, when she played his G major Violin Sonata, she wrote to Brahms, "...I could not help bursting into tears of joy over it."  There's no evidence of hanky-panky between them, but let's face it - he was head-over-heels in love! *** Brahms:  Violin Sonata No. 1 in G major, Op. 78 Helena Winkelman, violin; Anton Kernjak, piano +++ More information:  http://www.winkelman.ch/Helena/ Recorded in a live broadcast in WGBH's Radio Studio One on January 11th, 2005. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Johannes Brahms and Clara Schumann had a special relationship - there's no denying it.  Brahms wrote to his friend Joachim, "I often have to restrain myself forcibly from just quietly putting my arm around her..."  As for Clara, when she played his G major Violin Sonata, she wrote to Brahms, "...I could not help bursting into tears of joy over it."  There's no evidence of hanky-panky between them, but let's face it - he was head-over-heels in love! *** Brahms:  Violin Sonata No. 1 in G major, Op. 78 Helena Winkelman, violin; Anton Kernjak, piano +++ More information:  http://www.winkelman.ch/Helena/ Recorded in a live broadcast in WGBH's Radio Studio One on January 11th, 2005. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-09-03,25097118 Thu, 03 Sep 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25043380-Borromeo-String-Quartet-plays-Bach Nicholas Kitchen, first violinist with the Borromeo String Quartet, grew up with the sound of the pipe organ ringing in his ears - his father was an organist - so he developed a great love for the keyboard music of Bach.  Here are a couple of Bach's works he has arranged. *** J.S. Bach (arr. Nicholas Kitchen) Passacaglia and Fugue for Organ in C minor, BWV 582. Borromeo String Quartet +++ Nicholas Kitchen, violin; Kristopher Tong, violin; Mai Motobuchi, viola; Yeesun Kim, cello More information:  http://www.borromeoquartet.org/ Recorded in a live broadcast in WGBH's Fraser Performance  Studio on July 30, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Nicholas Kitchen, first violinist with the Borromeo String Quartet, grew up with the sound of the pipe organ ringing in his ears - his father was an organist - so he developed a great love for the keyboard music of Bach.  Here are a couple of Bach's works he has arranged. *** J.S. Bach (arr. Nicholas Kitchen) Passacaglia and Fugue for Organ in C minor, BWV 582. Borromeo String Quartet +++ Nicholas Kitchen, violin; Kristopher Tong, violin; Mai Motobuchi, viola; Yeesun Kim, cello More information:  http://www.borromeoquartet.org/ Recorded in a live broadcast in WGBH's Fraser Performance  Studio on July 30, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Nicholas Kitchen, first violinist with the Borromeo String Quartet, grew up with the sound of the pipe organ ringing in his ears - his father was an organist - so he developed a great love for the keyboard music of Bach.  Here are a couple of Bach's works he has arranged. *** J.S. Bach (arr. Nicholas Kitchen) Passacaglia and Fugue for Organ in C minor, BWV 582. Borromeo String Quartet +++ Nicholas Kitchen, violin; Kristopher Tong, violin; Mai Motobuchi, viola; Yeesun Kim, cello More information:  http://www.borromeoquartet.org/ Recorded in a live broadcast in WGBH's Fraser Performance  Studio on July 30, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-08-21,25043380 Fri, 21 Aug 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24919013-Dominique-LaBelle-sings-Saint-Saens Saint Saens is best known for large-scale works like the Carnival of the Animals or the orchestral version of Danse Macabre, but you might not know that he wrote a large number of songs during his lifetime.  Here are five of them, performed by Soprano Dominque LaBelle and pianist/composer Yehudi Wyner. *** Saint Saens:  Five Songs:  Aimons-nous; L'attente; La Coccinelle; Tournoiement; Danse Macabre. Dominique LaBelle, soprano; Yehudi Wyner, piano. +++ More information:  http://dominiquelabelle.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio, on April 9th, 2009 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Saint Saens is best known for large-scale works like the Carnival of the Animals or the orchestral version of Danse Macabre, but you might not know that he wrote a large number of songs during his lifetime.  Here are five of them, performed by Soprano Dominque LaBelle and pianist/composer Yehudi Wyner. *** Saint Saens:  Five Songs:  Aimons-nous; L'attente; La Coccinelle; Tournoiement; Danse Macabre. Dominique LaBelle, soprano; Yehudi Wyner, piano. +++ More information:  http://dominiquelabelle.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio, on April 9th, 2009 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Saint Saens is best known for large-scale works like the Carnival of the Animals or the orchestral version of Danse Macabre, but you might not know that he wrote a large number of songs during his lifetime.  Here are five of them, performed by Soprano Dominque LaBelle and pianist/composer Yehudi Wyner. *** Saint Saens:  Five Songs:  Aimons-nous; L'attente; La Coccinelle; Tournoiement; Danse Macabre. Dominique LaBelle, soprano; Yehudi Wyner, piano. +++ More information:  http://dominiquelabelle.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio, on April 9th, 2009 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-08-14,24919013 Fri, 14 Aug 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24919014-Alexander-Ghindin-plays-Mussorgsky Modest Mussorgsky had a lively interest in folk art.  It was an interest he shared with his friend Victor Hartmann, a brilliant young artist who died unexpectedly in 1873.  Mussorgsky was devastaed by the loss of his friend and wrote this work after a visit to a memorial exhibition of Hartmann's paintings. *** Mussorgsky:  Pictures at an Exhibition Alexander Ghindin, piano +++ More information:  http://www.clevelandpiano.org/ghindin.html Recorded in a live broadcast in WGBH's Fraser Performance Studio on March 2nd, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Modest Mussorgsky had a lively interest in folk art.  It was an interest he shared with his friend Victor Hartmann, a brilliant young artist who died unexpectedly in 1873.  Mussorgsky was devastaed by the loss of his friend and wrote this work after a visit to a memorial exhibition of Hartmann's paintings. *** Mussorgsky:  Pictures at an Exhibition Alexander Ghindin, piano +++ More information:  http://www.clevelandpiano.org/ghindin.html Recorded in a live broadcast in WGBH's Fraser Performance Studio on March 2nd, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Modest Mussorgsky had a lively interest in folk art.  It was an interest he shared with his friend Victor Hartmann, a brilliant young artist who died unexpectedly in 1873.  Mussorgsky was devastaed by the loss of his friend and wrote this work after a visit to a memorial exhibition of Hartmann's paintings. *** Mussorgsky:  Pictures at an Exhibition Alexander Ghindin, piano +++ More information:  http://www.clevelandpiano.org/ghindin.html Recorded in a live broadcast in WGBH's Fraser Performance Studio on March 2nd, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-08-07,24919014 Fri, 07 Aug 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25043381-Borromeo-String-Quartet-plays-Beethvoen Vienna was under attack in  in 1809 when Beethoven composed this in 1809, but you won't hear it in the music.  It was a publisher who gave it the nickname, "Harp" because of the effect of pizzicatto strings in the first movement. *** Beethoven:  String Quartet No.10 in E flat, Op.74 "Harp" Borromeo String Quartet. +++  Nicholas Kitchen, violin; William Fedkenheuer, violin; Mai Motobuchi, viola; Yeesun Kim, cello More information at http://www.borromeoquartet.org/   Recorded in a live broadcast in WGBH's Studio One on September 29, 2000. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Vienna was under attack in  in 1809 when Beethoven composed this in 1809, but you won't hear it in the music.  It was a publisher who gave it the nickname, "Harp" because of the effect of pizzicatto strings in the first movement. *** Beethoven:  String Quartet No.10 in E flat, Op.74 "Harp" Borromeo String Quartet. +++  Nicholas Kitchen, violin; William Fedkenheuer, violin; Mai Motobuchi, viola; Yeesun Kim, cello More information at http://www.borromeoquartet.org/   Recorded in a live broadcast in WGBH's Studio One on September 29, 2000. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Vienna was under attack in  in 1809 when Beethoven composed this in 1809, but you won't hear it in the music.  It was a publisher who gave it the nickname, "Harp" because of the effect of pizzicatto strings in the first movement. *** Beethoven:  String Quartet No.10 in E flat, Op.74 "Harp" Borromeo String Quartet. +++  Nicholas Kitchen, violin; William Fedkenheuer, violin; Mai Motobuchi, viola; Yeesun Kim, cello More information at http://www.borromeoquartet.org/   Recorded in a live broadcast in WGBH's Studio One on September 29, 2000. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-07-31,25043381 Fri, 31 Jul 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24855583-Christina-Day-Martinson-plays-Biber-WGBH-Classical-Performance It was a baroque-era multi-media show! Heinrich Biber was a Jesuit musician who loved the sound of stringed instruments, and wrote fifteen sonatas to accompany the contemplation of the fifteen mysteries of the Rosary. They were meant to be heard as worshipers gazed at 15 paintings and meditated on 15 written texts about the mysteries. We hear three of them in this performance. *** Biber: Rosary Sonatas, Nos. IV, V, and VII. Christina Day Martinson, violin; Martin Pearlman, harpsichord +++ More info: Christina: (not the artist’s own website....) http://sarasamusic.org/aboutus/musician-bios/ChristinaDayMartinson.shtml. Martin: http://bostonbaroque.org/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on July 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org It was a baroque-era multi-media show! Heinrich Biber was a Jesuit musician who loved the sound of stringed instruments, and wrote fifteen sonatas to accompany the contemplation of the fifteen mysteries of the Rosary. They were meant to be heard as worshipers gazed at 15 paintings and meditated on 15 written texts about the mysteries. We hear three of them in this performance. *** Biber: Rosary Sonatas, Nos. IV, V, and VII. Christina Day Martinson, violin; Martin Pearlman, harpsichord +++ More info: Christina: (not the artist’s own website....) http://sarasamusic.org/aboutus/musician-bios/ChristinaDayMartinson.shtml. Martin: http://bostonbaroque.org/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on July 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org It was a baroque-era multi-media show! Heinrich Biber was a Jesuit musician who loved the sound of stringed instruments, and wrote fifteen sonatas to accompany the contemplation of the fifteen mysteries of the Rosary. They were meant to be heard as worshipers gazed at 15 paintings and meditated on 15 written texts about the mysteries. We hear three of them in this performance. *** Biber: Rosary Sonatas, Nos. IV, V, and VII. Christina Day Martinson, violin; Martin Pearlman, harpsichord +++ More info: Christina: (not the artist’s own website....) http://sarasamusic.org/aboutus/musician-bios/ChristinaDayMartinson.shtml. Martin: http://bostonbaroque.org/ Recorded in a live broadcast in WGBH's Fraser Performance Studio on July 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-07-23,24855583 Thu, 23 Jul 2009 15:06:20 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24823767-Susie-Park-plays-Mozart-and-Bach-WGBH-Classical-Performance Mozart understood what it was like to be unemployed. One of the places he went to look for a job was Mannheim, the home of the greatest orchestra in the world at that time. That's where he made friends with Karl Theodor, the Elector of the town, and his wife, Maria Elisabeth. He was so friendly with Maria Elisabeth that she even taught him how to knit! And he dedicated his "Mannheim" Sonatas to her. This is the first of the six Sonatas. *** Mozart: Sonata for piano and violin in G major; Bach: Sonata No. 2 for solo violin, in A minor (Final movement). Susie Park, violin; Dina Vainshtein, piano. +++ More info: http://eroicatrio.com/ Recorded in a live broadcast in WGBH's Studio One on May 23, 2006. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Mozart understood what it was like to be unemployed. One of the places he went to look for a job was Mannheim, the home of the greatest orchestra in the world at that time. That's where he made friends with Karl Theodor, the Elector of the town, and his wife, Maria Elisabeth. He was so friendly with Maria Elisabeth that she even taught him how to knit! And he dedicated his "Mannheim" Sonatas to her. This is the first of the six Sonatas. *** Mozart: Sonata for piano and violin in G major; Bach: Sonata No. 2 for solo violin, in A minor (Final movement). Susie Park, violin; Dina Vainshtein, piano. +++ More info: http://eroicatrio.com/ Recorded in a live broadcast in WGBH's Studio One on May 23, 2006. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Mozart understood what it was like to be unemployed. One of the places he went to look for a job was Mannheim, the home of the greatest orchestra in the world at that time. That's where he made friends with Karl Theodor, the Elector of the town, and his wife, Maria Elisabeth. He was so friendly with Maria Elisabeth that she even taught him how to knit! And he dedicated his "Mannheim" Sonatas to her. This is the first of the six Sonatas. *** Mozart: Sonata for piano and violin in G major; Bach: Sonata No. 2 for solo violin, in A minor (Final movement). Susie Park, violin; Dina Vainshtein, piano. +++ More info: http://eroicatrio.com/ Recorded in a live broadcast in WGBH's Studio One on May 23, 2006. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-07-17,24823767 Fri, 17 Jul 2009 15:06:10 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24780925-The-Boston-Chamber-Music-Society-plays-Schubert-WGBH-Classical-Performance Schubert went wandering in the Alps in the summer of 1819, on a lighthearted excursion with his friend Johann Michael Vogl, and came up with some lighthearted music. "The Trout" Quintet was commissioned by Sylvester Paumgartner, who Schubert met in Steyr, a little town that Schubert described as "inconceivably lovely". Paumgartner stipulated that the Quintet had to include some variations on Schubert's own song, "Die Forelle" ("The Trout"). You'll hear those variations in the third movement. *** Schubert: Quintet in A major for piano and strings, D.667, "The Trout". The Boston Chamber Music Society +++ Lucy Chapman Stoltzman, violin; Jonathan Vinocour, viola; Ronald Thomas, cello; Edwin Barker, double bass; Mihae Lee, piano More info: http://bostonchambermusic.org/ Recorded in a live broadcast in WGBH's Studio One on February 10, 2005 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Schubert went wandering in the Alps in the summer of 1819, on a lighthearted excursion with his friend Johann Michael Vogl, and came up with some lighthearted music. "The Trout" Quintet was commissioned by Sylvester Paumgartner, who Schubert met in Steyr, a little town that Schubert described as "inconceivably lovely". Paumgartner stipulated that the Quintet had to include some variations on Schubert's own song, "Die Forelle" ("The Trout"). You'll hear those variations in the third movement. *** Schubert: Quintet in A major for piano and strings, D.667, "The Trout". The Boston Chamber Music Society +++ Lucy Chapman Stoltzman, violin; Jonathan Vinocour, viola; Ronald Thomas, cello; Edwin Barker, double bass; Mihae Lee, piano More info: http://bostonchambermusic.org/ Recorded in a live broadcast in WGBH's Studio One on February 10, 2005 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Schubert went wandering in the Alps in the summer of 1819, on a lighthearted excursion with his friend Johann Michael Vogl, and came up with some lighthearted music. "The Trout" Quintet was commissioned by Sylvester Paumgartner, who Schubert met in Steyr, a little town that Schubert described as "inconceivably lovely". Paumgartner stipulated that the Quintet had to include some variations on Schubert's own song, "Die Forelle" ("The Trout"). You'll hear those variations in the third movement. *** Schubert: Quintet in A major for piano and strings, D.667, "The Trout". The Boston Chamber Music Society +++ Lucy Chapman Stoltzman, violin; Jonathan Vinocour, viola; Ronald Thomas, cello; Edwin Barker, double bass; Mihae Lee, piano More info: http://bostonchambermusic.org/ Recorded in a live broadcast in WGBH's Studio One on February 10, 2005 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-07-10,24780925 Fri, 10 Jul 2009 14:50:57 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24748091-Ya-Fei-Chuang-plays-Mendelssohn-WGBH-Classical-Performance In these exquisite parlour pieces, Mendelssohn wanted to prove that music can say more by itself than it can with a text to go with it. A picture may be worth a thousand words, but music, according to this composer, "..fills the soul with a thousand things better than words." *** Mendelssohn: Songs Without Words (a selection) Ya-Fei Chuang, piano +++ Op. 19 No. 1 in E major; Op. 62 No. 5 in A minor (Venetian Gondola Song); Op. 102 No. 5 in A major; Op. 30 No. 6 in F-sharp minor; Op. 85 No. 4 in D major; Op. 38 No. 2 in C minor; Op. 62 No. 1 in G major; Op. 67 No. 4 in C major. http://www.newenglandconservatory.edu/yaStudies/faculty/chuangYF.html Recorded in a live broadcast in WGBH's Studio One on June 21st, 2005 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org In these exquisite parlour pieces, Mendelssohn wanted to prove that music can say more by itself than it can with a text to go with it. A picture may be worth a thousand words, but music, according to this composer, "..fills the soul with a thousand things better than words." *** Mendelssohn: Songs Without Words (a selection) Ya-Fei Chuang, piano +++ Op. 19 No. 1 in E major; Op. 62 No. 5 in A minor (Venetian Gondola Song); Op. 102 No. 5 in A major; Op. 30 No. 6 in F-sharp minor; Op. 85 No. 4 in D major; Op. 38 No. 2 in C minor; Op. 62 No. 1 in G major; Op. 67 No. 4 in C major. http://www.newenglandconservatory.edu/yaStudies/faculty/chuangYF.html Recorded in a live broadcast in WGBH's Studio One on June 21st, 2005 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org In these exquisite parlour pieces, Mendelssohn wanted to prove that music can say more by itself than it can with a text to go with it. A picture may be worth a thousand words, but music, according to this composer, "..fills the soul with a thousand things better than words." *** Mendelssohn: Songs Without Words (a selection) Ya-Fei Chuang, piano +++ Op. 19 No. 1 in E major; Op. 62 No. 5 in A minor (Venetian Gondola Song); Op. 102 No. 5 in A major; Op. 30 No. 6 in F-sharp minor; Op. 85 No. 4 in D major; Op. 38 No. 2 in C minor; Op. 62 No. 1 in G major; Op. 67 No. 4 in C major. http://www.newenglandconservatory.edu/yaStudies/faculty/chuangYF.html Recorded in a live broadcast in WGBH's Studio One on June 21st, 2005 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-07-02,24748091 Thu, 02 Jul 2009 14:56:14 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24739653-The-Harlem-Quartet-plays-Ravel-WGBH-Classical-Performance The Harlem Quartet is on a mission to advance diversity in classical music, and they do that with stylish performances of a wide variety of repertoire. We heard "Take the A Train", portions of a new piece by Wynton Marsalis, and this stunning performance of Ravel's String Quartet in F major. (For the entire performance, go to http://wgbh.org/classical/.) *** Ravel: String Quartet in F major Harlem Quartet +++ Ilmar Gavilan, violin; Melissa White, violin; Juan-Miguel Hernandez, viola; Desmond Neysmith, cello. http://www.harlemquartet.org/ Recorded in a live broadcast in WGBH's Fraser Performance Studio, on June 24th, 2009 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org The Harlem Quartet is on a mission to advance diversity in classical music, and they do that with stylish performances of a wide variety of repertoire. We heard "Take the A Train", portions of a new piece by Wynton Marsalis, and this stunning performance of Ravel's String Quartet in F major. (For the entire performance, go to http://wgbh.org/classical/.) *** Ravel: String Quartet in F major Harlem Quartet +++ Ilmar Gavilan, violin; Melissa White, violin; Juan-Miguel Hernandez, viola; Desmond Neysmith, cello. http://www.harlemquartet.org/ Recorded in a live broadcast in WGBH's Fraser Performance Studio, on June 24th, 2009 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org The Harlem Quartet is on a mission to advance diversity in classical music, and they do that with stylish performances of a wide variety of repertoire. We heard "Take the A Train", portions of a new piece by Wynton Marsalis, and this stunning performance of Ravel's String Quartet in F major. (For the entire performance, go to http://wgbh.org/classical/.) *** Ravel: String Quartet in F major Harlem Quartet +++ Ilmar Gavilan, violin; Melissa White, violin; Juan-Miguel Hernandez, viola; Desmond Neysmith, cello. http://www.harlemquartet.org/ Recorded in a live broadcast in WGBH's Fraser Performance Studio, on June 24th, 2009 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-06-26,24739653 Fri, 26 Jun 2009 13:35:55 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24733586-The-Hugo-Wolf-Quartet-plays-Haydn-WGBH-Classical-Performance Franz Joseph Haydn wrote this delightful Opus 77 string quartet in 1799, the same year the young Beethoven came out with his amazing Opus 18 quartets. And then Haydn quietly stopped writing string quartets altogether. Was it because he felt he had met his equal? We'll never know, but this quartet is still enchanting. *** Haydn: String Quartet in G major, Op. 77 No. 2 Hugo Wolf String Quartet +++ Sebastian Gürtler, violin; Régis Bringolf, violin; Gertrud Weinmeister, viola; Florian Berner, cello http://www.hugowolfquartett.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio, on March 3rd, 2009 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Franz Joseph Haydn wrote this delightful Opus 77 string quartet in 1799, the same year the young Beethoven came out with his amazing Opus 18 quartets. And then Haydn quietly stopped writing string quartets altogether. Was it because he felt he had met his equal? We'll never know, but this quartet is still enchanting. *** Haydn: String Quartet in G major, Op. 77 No. 2 Hugo Wolf String Quartet +++ Sebastian Gürtler, violin; Régis Bringolf, violin; Gertrud Weinmeister, viola; Florian Berner, cello http://www.hugowolfquartett.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio, on March 3rd, 2009 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Franz Joseph Haydn wrote this delightful Opus 77 string quartet in 1799, the same year the young Beethoven came out with his amazing Opus 18 quartets. And then Haydn quietly stopped writing string quartets altogether. Was it because he felt he had met his equal? We'll never know, but this quartet is still enchanting. *** Haydn: String Quartet in G major, Op. 77 No. 2 Hugo Wolf String Quartet +++ Sebastian Gürtler, violin; Régis Bringolf, violin; Gertrud Weinmeister, viola; Florian Berner, cello http://www.hugowolfquartett.com/ Recorded in a live broadcast in WGBH's Fraser Performance Studio, on March 3rd, 2009 ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-06-19,24733586 Fri, 19 Jun 2009 17:51:29 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25043382-Classical-Performance-Podcast-Ensemble-Zefiro-plays-Lotti-and-Vivaldi This week the Classical Performance goes "on location" at the Boston Early Music Festival, for music by Antonio Lotti and Antonio Vivaldi, played by the Ensemble Zefiro, recorded in concert at Jordan Hall, at the New England Conservatory.  This was from a glorious concert called "Winds of the Serenissima", featuring early 18th century Italian music for winds and strings. *** Lotti:  Echo Sonata a 4 in F major Vivaldi:  Sonata a 4 in C major, RV 801 Ensemble Zefiro; Alfredo Bernardini, director +++ More information: Ensemble Zefiro - http://www.ensemblezefiro.it/ Boston Early Music Festival - http://www.bemf.org/ Recorded in concert at Jordan Hall, New England Conservatory, June 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org This week the Classical Performance goes "on location" at the Boston Early Music Festival, for music by Antonio Lotti and Antonio Vivaldi, played by the Ensemble Zefiro, recorded in concert at Jordan Hall, at the New England Conservatory.  This was from a glorious concert called "Winds of the Serenissima", featuring early 18th century Italian music for winds and strings. *** Lotti:  Echo Sonata a 4 in F major Vivaldi:  Sonata a 4 in C major, RV 801 Ensemble Zefiro; Alfredo Bernardini, director +++ More information: Ensemble Zefiro - http://www.ensemblezefiro.it/ Boston Early Music Festival - http://www.bemf.org/ Recorded in concert at Jordan Hall, New England Conservatory, June 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org This week the Classical Performance goes "on location" at the Boston Early Music Festival, for music by Antonio Lotti and Antonio Vivaldi, played by the Ensemble Zefiro, recorded in concert at Jordan Hall, at the New England Conservatory.  This was from a glorious concert called "Winds of the Serenissima", featuring early 18th century Italian music for winds and strings. *** Lotti:  Echo Sonata a 4 in F major Vivaldi:  Sonata a 4 in C major, RV 801 Ensemble Zefiro; Alfredo Bernardini, director +++ More information: Ensemble Zefiro - http://www.ensemblezefiro.it/ Boston Early Music Festival - http://www.bemf.org/ Recorded in concert at Jordan Hall, New England Conservatory, June 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-06-14,25043382 Sun, 14 Jun 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25043383-Classical-Performance-Podcast-Pacifica-String-Quartet-plays-the-Mendelssohn  For a musician in the 19th century, Mendelssohn had about the happiest life you could imagine. It's just that it was so darn short! Here's music from the period of his blissful marriage to Cecile Jeanrenaud.     Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 Pacifica String Quartet Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola; Brandon Vamos, cello More information http://www.pacificaquartet.com/   Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 8th, 2009. ©2009 WGBH Educational Foundation.    For a musician in the 19th century, Mendelssohn had about the happiest life you could imagine. It's just that it was so darn short! Here's music from the period of his blissful marriage to Cecile Jeanrenaud.     Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 Pacifica String Quartet Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola; Brandon Vamos, cello More information http://www.pacificaquartet.com/   Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 8th, 2009. ©2009 WGBH Educational Foundation.    For a musician in the 19th century, Mendelssohn had about the happiest life you could imagine. It's just that it was so darn short! Here's music from the period of his blissful marriage to Cecile Jeanrenaud.     Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 Pacifica String Quartet Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola; Brandon Vamos, cello More information http://www.pacificaquartet.com/   Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 8th, 2009. ©2009 WGBH Educational Foundation.   tag:odeo.com,2009-06-14,25043383 Sun, 14 Jun 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24699185-Ensemble-Zefiro-plays-Lotti-and-Vivaldi-WGBH-Classical-Performance This week the Classical Performance goes "on location" at the Boston Early Music Festival, for music by Antonio Lotti and Antonio Vivaldi, played by the Ensemble Zefiro, recorded in concert at Jordan Hall, at the New England Conservatory. This was from a glorious concert called "Winds of the Serenissima", featuring early 18th century Italian music for winds and strings. *** Lotti: Echo Sonata a 4 in F major Vivaldi: Sonata a 4 in C major, RV 801 Ensemble Zefiro; Alfredo Bernardini, director +++ More information: Ensemble Zefiro - http://www.ensemblezefiro.it/ Boston Early Music Festival - http://www.bemf.org/ Recorded in concert at Jordan Hall, New England Conservatory, June 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org This week the Classical Performance goes "on location" at the Boston Early Music Festival, for music by Antonio Lotti and Antonio Vivaldi, played by the Ensemble Zefiro, recorded in concert at Jordan Hall, at the New England Conservatory. This was from a glorious concert called "Winds of the Serenissima", featuring early 18th century Italian music for winds and strings. *** Lotti: Echo Sonata a 4 in F major Vivaldi: Sonata a 4 in C major, RV 801 Ensemble Zefiro; Alfredo Bernardini, director +++ More information: Ensemble Zefiro - http://www.ensemblezefiro.it/ Boston Early Music Festival - http://www.bemf.org/ Recorded in concert at Jordan Hall, New England Conservatory, June 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org This week the Classical Performance goes "on location" at the Boston Early Music Festival, for music by Antonio Lotti and Antonio Vivaldi, played by the Ensemble Zefiro, recorded in concert at Jordan Hall, at the New England Conservatory. This was from a glorious concert called "Winds of the Serenissima", featuring early 18th century Italian music for winds and strings. *** Lotti: Echo Sonata a 4 in F major Vivaldi: Sonata a 4 in C major, RV 801 Ensemble Zefiro; Alfredo Bernardini, director +++ More information: Ensemble Zefiro - http://www.ensemblezefiro.it/ Boston Early Music Festival - http://www.bemf.org/ Recorded in concert at Jordan Hall, New England Conservatory, June 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-06-12,24699185 Fri, 12 Jun 2009 16:47:50 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698048-Ensemble-Zefiro-plays-Lotti-and-Vivaldi-WGBH-Classical-Performance This week the Classical Performance goes "on location" at the Boston Early Music Festival, for music by Antonio Lotti and Antonio Vivaldi, played by the Ensemble Zefiro, recorded in concert at Jordan Hall, at the New England Conservatory. This was from a glorious concert called "Winds of the Serenissima", featuring early 18th century Italian music for winds and strings. *** Lotti: Echo Sonata a 4 in F major Vivaldi: Sonata a 4 in C major, RV 801 Ensemble Zefiro; Alfredo Bernardini, director +++ More information: Ensemble Zefiro - http://www.ensemblezefiro.it/ Boston Early Music Festival - http://www.bemf.org/ Recorded in concert at Jordan Hall, New England Conservatory, June 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org This week the Classical Performance goes "on location" at the Boston Early Music Festival, for music by Antonio Lotti and Antonio Vivaldi, played by the Ensemble Zefiro, recorded in concert at Jordan Hall, at the New England Conservatory. This was from a glorious concert called "Winds of the Serenissima", featuring early 18th century Italian music for winds and strings. *** Lotti: Echo Sonata a 4 in F major Vivaldi: Sonata a 4 in C major, RV 801 Ensemble Zefiro; Alfredo Bernardini, director +++ More information: Ensemble Zefiro - http://www.ensemblezefiro.it/ Boston Early Music Festival - http://www.bemf.org/ Recorded in concert at Jordan Hall, New England Conservatory, June 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org This week the Classical Performance goes "on location" at the Boston Early Music Festival, for music by Antonio Lotti and Antonio Vivaldi, played by the Ensemble Zefiro, recorded in concert at Jordan Hall, at the New England Conservatory. This was from a glorious concert called "Winds of the Serenissima", featuring early 18th century Italian music for winds and strings. *** Lotti: Echo Sonata a 4 in F major Vivaldi: Sonata a 4 in C major, RV 801 Ensemble Zefiro; Alfredo Bernardini, director +++ More information: Ensemble Zefiro - http://www.ensemblezefiro.it/ Boston Early Music Festival - http://www.bemf.org/ Recorded in concert at Jordan Hall, New England Conservatory, June 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-06-12,24698048 Fri, 12 Jun 2009 16:47:50 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24628785-Pacifica-String-Quartet-plays-Mendelssohn-WGBH-Classical-Performance For a musician in the 19th century, Mendelssohn had about the happiest life you could imagine. It's just that it was so darn short! Here's music from the period of his blissful marriage to Cecile Jeanrenaud. *** Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 Pacifica String Quartet +++ Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola; Brandon Vamos, cello More information, including how to purchase the Pacifica's recordings of all the Mendelssohn String Quartets on the Cedille label: http://www.pacificaquartet.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org For a musician in the 19th century, Mendelssohn had about the happiest life you could imagine. It's just that it was so darn short! Here's music from the period of his blissful marriage to Cecile Jeanrenaud. *** Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 Pacifica String Quartet +++ Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola; Brandon Vamos, cello More information, including how to purchase the Pacifica's recordings of all the Mendelssohn String Quartets on the Cedille label: http://www.pacificaquartet.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org For a musician in the 19th century, Mendelssohn had about the happiest life you could imagine. It's just that it was so darn short! Here's music from the period of his blissful marriage to Cecile Jeanrenaud. *** Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 Pacifica String Quartet +++ Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola; Brandon Vamos, cello More information, including how to purchase the Pacifica's recordings of all the Mendelssohn String Quartets on the Cedille label: http://www.pacificaquartet.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-29,24628785 Fri, 29 May 2009 14:42:45 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698049-Pacifica-String-Quartet-plays-Mendelssohn-WGBH-Classical-Performance For a musician in the 19th century, Mendelssohn had about the happiest life you could imagine. It's just that it was so darn short! Here's music from the period of his blissful marriage to Cecile Jeanrenaud. *** Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 Pacifica String Quartet +++ Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola; Brandon Vamos, cello More information, including how to purchase the Pacifica's recordings of all the Mendelssohn String Quartets on the Cedille label: http://www.pacificaquartet.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org For a musician in the 19th century, Mendelssohn had about the happiest life you could imagine. It's just that it was so darn short! Here's music from the period of his blissful marriage to Cecile Jeanrenaud. *** Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 Pacifica String Quartet +++ Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola; Brandon Vamos, cello More information, including how to purchase the Pacifica's recordings of all the Mendelssohn String Quartets on the Cedille label: http://www.pacificaquartet.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org For a musician in the 19th century, Mendelssohn had about the happiest life you could imagine. It's just that it was so darn short! Here's music from the period of his blissful marriage to Cecile Jeanrenaud. *** Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 Pacifica String Quartet +++ Simin Ganatra, violin; Sibbi Bernhardsson, violin; Masumi Per Rostad, viola; Brandon Vamos, cello More information, including how to purchase the Pacifica's recordings of all the Mendelssohn String Quartets on the Cedille label: http://www.pacificaquartet.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 8th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-29,24698049 Fri, 29 May 2009 14:42:45 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698050-Markus-Schirmer-and-A-Far-Cry-play-Mozart-WGBH-Classical-Performance When Mozart finished writing three piano concertos in 1782, he was very pleased with himself. In a December 1782 letter to his father he wrote, “These concertos are a happy medium between too heavy and too light. They are very brilliant, pleasing to the ear, and natural, without being insipid." We hear one of them, K. 414 in A major, played by the new conductor-less string ensemble, A Far Cry, performing in our studio with the Austrian pianist Markus Schirmer. *** Mozart: Piano Concerto No. 12 in A major, K.414 Markus Schirmer, piano; A Far Cry +++ More information: http://markusschirmer.com/ http://www.afarcry.org/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 20th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org When Mozart finished writing three piano concertos in 1782, he was very pleased with himself. In a December 1782 letter to his father he wrote, “These concertos are a happy medium between too heavy and too light. They are very brilliant, pleasing to the ear, and natural, without being insipid." We hear one of them, K. 414 in A major, played by the new conductor-less string ensemble, A Far Cry, performing in our studio with the Austrian pianist Markus Schirmer. *** Mozart: Piano Concerto No. 12 in A major, K.414 Markus Schirmer, piano; A Far Cry +++ More information: http://markusschirmer.com/ http://www.afarcry.org/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 20th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org When Mozart finished writing three piano concertos in 1782, he was very pleased with himself. In a December 1782 letter to his father he wrote, “These concertos are a happy medium between too heavy and too light. They are very brilliant, pleasing to the ear, and natural, without being insipid." We hear one of them, K. 414 in A major, played by the new conductor-less string ensemble, A Far Cry, performing in our studio with the Austrian pianist Markus Schirmer. *** Mozart: Piano Concerto No. 12 in A major, K.414 Markus Schirmer, piano; A Far Cry +++ More information: http://markusschirmer.com/ http://www.afarcry.org/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 20th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-22,24698050 Fri, 22 May 2009 15:33:10 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24598469-Markus-Schirmer-and-A-Far-Cry-play-Mozart-WGBH-Classical-Performance When Mozart finished writing three piano concertos in 1782, he was very pleased with himself. In a December 1782 letter to his father he wrote, “These concertos are a happy medium between too heavy and too light. They are very brilliant, pleasing to the ear, and natural, without being insipid." We hear one of them, K. 414 in A major, played by the new conductor-less string ensemble, A Far Cry, performing in our studio with the Austrian pianist Markus Schirmer. *** Mozart: Piano Concerto No. 12 in A major, K.414 Markus Schirmer, piano; A Far Cry +++ More information: http://markusschirmer.com/ http://www.afarcry.org/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 20th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org When Mozart finished writing three piano concertos in 1782, he was very pleased with himself. In a December 1782 letter to his father he wrote, “These concertos are a happy medium between too heavy and too light. They are very brilliant, pleasing to the ear, and natural, without being insipid." We hear one of them, K. 414 in A major, played by the new conductor-less string ensemble, A Far Cry, performing in our studio with the Austrian pianist Markus Schirmer. *** Mozart: Piano Concerto No. 12 in A major, K.414 Markus Schirmer, piano; A Far Cry +++ More information: http://markusschirmer.com/ http://www.afarcry.org/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 20th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org When Mozart finished writing three piano concertos in 1782, he was very pleased with himself. In a December 1782 letter to his father he wrote, “These concertos are a happy medium between too heavy and too light. They are very brilliant, pleasing to the ear, and natural, without being insipid." We hear one of them, K. 414 in A major, played by the new conductor-less string ensemble, A Far Cry, performing in our studio with the Austrian pianist Markus Schirmer. *** Mozart: Piano Concerto No. 12 in A major, K.414 Markus Schirmer, piano; A Far Cry +++ More information: http://markusschirmer.com/ http://www.afarcry.org/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 20th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-22,24598469 Fri, 22 May 2009 15:33:10 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24566576-Alexander-Korsantia-Yelena-Beriyeva-pianos Pianist Alexander Korsantia and his student Yelena Beriyeva make a marvelous duo - Both are originally from the Republic of Georgia, and now are teacher and student, respectively, at the New England Conservatory. Their interpretation of Mozart’s D major piano duo is nothing short of brilliant. *** Mozart: Sonata for two pianos in D major, K.448. Alexander Korsantia, Yelena Beriyeva, pianos. +++ More information: http://www.newenglandconservatory.edu/faculty/korsantiaA.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 24th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Pianist Alexander Korsantia and his student Yelena Beriyeva make a marvelous duo - Both are originally from the Republic of Georgia, and now are teacher and student, respectively, at the New England Conservatory. Their interpretation of Mozart’s D major piano duo is nothing short of brilliant. *** Mozart: Sonata for two pianos in D major, K.448. Alexander Korsantia, Yelena Beriyeva, pianos. +++ More information: http://www.newenglandconservatory.edu/faculty/korsantiaA.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 24th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Pianist Alexander Korsantia and his student Yelena Beriyeva make a marvelous duo - Both are originally from the Republic of Georgia, and now are teacher and student, respectively, at the New England Conservatory. Their interpretation of Mozart’s D major piano duo is nothing short of brilliant. *** Mozart: Sonata for two pianos in D major, K.448. Alexander Korsantia, Yelena Beriyeva, pianos. +++ More information: http://www.newenglandconservatory.edu/faculty/korsantiaA.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 24th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-15,24566576 Fri, 15 May 2009 06:46:55 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24589201-Alexander-Korsantia-and-Yelena-Beriyeva-play-Mozart Pianist Alexander Korsantia and his student Yelena Beriyeva make a marvelous duo - Both are originally from the Republic of Georgia, and now are teacher and student, respectively, at the New England Conservatory. Their interpretation of Mozart’s D major piano duo is nothing short of brilliant. *** Mozart: Sonata for two pianos in D major, K.448. Alexander Korsantia, Yelena Beriyeva, pianos. +++ More information: http://www.newenglandconservatory.edu/faculty/korsantiaA.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 24th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Pianist Alexander Korsantia and his student Yelena Beriyeva make a marvelous duo - Both are originally from the Republic of Georgia, and now are teacher and student, respectively, at the New England Conservatory. Their interpretation of Mozart’s D major piano duo is nothing short of brilliant. *** Mozart: Sonata for two pianos in D major, K.448. Alexander Korsantia, Yelena Beriyeva, pianos. +++ More information: http://www.newenglandconservatory.edu/faculty/korsantiaA.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 24th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Pianist Alexander Korsantia and his student Yelena Beriyeva make a marvelous duo - Both are originally from the Republic of Georgia, and now are teacher and student, respectively, at the New England Conservatory. Their interpretation of Mozart’s D major piano duo is nothing short of brilliant. *** Mozart: Sonata for two pianos in D major, K.448. Alexander Korsantia, Yelena Beriyeva, pianos. +++ More information: http://www.newenglandconservatory.edu/faculty/korsantiaA.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 24th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-15,24589201 Fri, 15 May 2009 06:46:55 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698051-Alexander-Korsantia-and-Yelena-Beriyeva-play-Mozart Pianist Alexander Korsantia and his student Yelena Beriyeva make a marvelous duo - Both are originally from the Republic of Georgia, and now are teacher and student, respectively, at the New England Conservatory. Their interpretation of Mozart’s D major piano duo is nothing short of brilliant. *** Mozart: Sonata for two pianos in D major, K.448. Alexander Korsantia, Yelena Beriyeva, pianos. +++ More information: http://www.newenglandconservatory.edu/faculty/korsantiaA.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 24th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Pianist Alexander Korsantia and his student Yelena Beriyeva make a marvelous duo - Both are originally from the Republic of Georgia, and now are teacher and student, respectively, at the New England Conservatory. Their interpretation of Mozart’s D major piano duo is nothing short of brilliant. *** Mozart: Sonata for two pianos in D major, K.448. Alexander Korsantia, Yelena Beriyeva, pianos. +++ More information: http://www.newenglandconservatory.edu/faculty/korsantiaA.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 24th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Pianist Alexander Korsantia and his student Yelena Beriyeva make a marvelous duo - Both are originally from the Republic of Georgia, and now are teacher and student, respectively, at the New England Conservatory. Their interpretation of Mozart’s D major piano duo is nothing short of brilliant. *** Mozart: Sonata for two pianos in D major, K.448. Alexander Korsantia, Yelena Beriyeva, pianos. +++ More information: http://www.newenglandconservatory.edu/faculty/korsantiaA.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 24th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-15,24698051 Fri, 15 May 2009 06:46:55 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24553530-Tony-Rymer-plays-Cassado-and-Bach-WGBH-Classical-Performance Cellist Tony Rymer is the winner of 1st place in the 2009 Sphinx Competition, which recognizes the achievements of young African-American and Latino string players. He dropped into our studio to play solo pieces by Cassado and Bach *** Cassado: Suite for Solo Cello, mvt. 1 (Prelude - Fantasia); Bach: Suite for Solo Cello No. 6, mvts. 2 (Allemande) and 6 (Gigue). Tony Rymer, cello +++ More information: http://www.walnuthillarts.org/news/press/releases/rymer_022709.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 5th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Cellist Tony Rymer is the winner of 1st place in the 2009 Sphinx Competition, which recognizes the achievements of young African-American and Latino string players. He dropped into our studio to play solo pieces by Cassado and Bach *** Cassado: Suite for Solo Cello, mvt. 1 (Prelude - Fantasia); Bach: Suite for Solo Cello No. 6, mvts. 2 (Allemande) and 6 (Gigue). Tony Rymer, cello +++ More information: http://www.walnuthillarts.org/news/press/releases/rymer_022709.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 5th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Cellist Tony Rymer is the winner of 1st place in the 2009 Sphinx Competition, which recognizes the achievements of young African-American and Latino string players. He dropped into our studio to play solo pieces by Cassado and Bach *** Cassado: Suite for Solo Cello, mvt. 1 (Prelude - Fantasia); Bach: Suite for Solo Cello No. 6, mvts. 2 (Allemande) and 6 (Gigue). Tony Rymer, cello +++ More information: http://www.walnuthillarts.org/news/press/releases/rymer_022709.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 5th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-11,24553530 Mon, 11 May 2009 14:34:41 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698052-Tony-Rymer-plays-Cassado-and-Bach-WGBH-Classical-Performance Cellist Tony Rymer is the winner of 1st place in the 2009 Sphinx Competition, which recognizes the achievements of young African-American and Latino string players. He dropped into our studio to play solo pieces by Cassado and Bach *** Cassado: Suite for Solo Cello, mvt. 1 (Prelude - Fantasia); Bach: Suite for Solo Cello No. 6, mvts. 2 (Allemande) and 6 (Gigue). Tony Rymer, cello +++ More information: http://www.walnuthillarts.org/news/press/releases/rymer_022709.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 5th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Cellist Tony Rymer is the winner of 1st place in the 2009 Sphinx Competition, which recognizes the achievements of young African-American and Latino string players. He dropped into our studio to play solo pieces by Cassado and Bach *** Cassado: Suite for Solo Cello, mvt. 1 (Prelude - Fantasia); Bach: Suite for Solo Cello No. 6, mvts. 2 (Allemande) and 6 (Gigue). Tony Rymer, cello +++ More information: http://www.walnuthillarts.org/news/press/releases/rymer_022709.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 5th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Cellist Tony Rymer is the winner of 1st place in the 2009 Sphinx Competition, which recognizes the achievements of young African-American and Latino string players. He dropped into our studio to play solo pieces by Cassado and Bach *** Cassado: Suite for Solo Cello, mvt. 1 (Prelude - Fantasia); Bach: Suite for Solo Cello No. 6, mvts. 2 (Allemande) and 6 (Gigue). Tony Rymer, cello +++ More information: http://www.walnuthillarts.org/news/press/releases/rymer_022709.html Recorded in a live broadcast at WGBH's Fraser Performance Studio on May 5th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-11,24698052 Mon, 11 May 2009 14:34:41 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698053-Michael-Lewin-plays-Liszt-Lewin-and-Saint-Saens-WGBH-Classical-Performance Michael Lewin has been collecting piano pieces inspired by birds, and he plays some of them for us, in this live-to-air performance at the Fraser studio. *** Saint Saens: The Swan; Trad., arr. Michael Lewin: Turkey in the Straw; Alabieff, arr. Liszt: The Nightingale; Liszt: Mephisto Waltz No. 1. Michael Lewin, piano +++ Watch for Michael Lewin's upcoming CD: "If I Were a Bird". More information at http://www.michaellewin.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 6th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Michael Lewin has been collecting piano pieces inspired by birds, and he plays some of them for us, in this live-to-air performance at the Fraser studio. *** Saint Saens: The Swan; Trad., arr. Michael Lewin: Turkey in the Straw; Alabieff, arr. Liszt: The Nightingale; Liszt: Mephisto Waltz No. 1. Michael Lewin, piano +++ Watch for Michael Lewin's upcoming CD: "If I Were a Bird". More information at http://www.michaellewin.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 6th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Michael Lewin has been collecting piano pieces inspired by birds, and he plays some of them for us, in this live-to-air performance at the Fraser studio. *** Saint Saens: The Swan; Trad., arr. Michael Lewin: Turkey in the Straw; Alabieff, arr. Liszt: The Nightingale; Liszt: Mephisto Waltz No. 1. Michael Lewin, piano +++ Watch for Michael Lewin's upcoming CD: "If I Were a Bird". More information at http://www.michaellewin.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 6th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-01,24698053 Fri, 01 May 2009 15:23:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24527827-Michael-Lewin-plays-Liszt-Lewin-and-Saint-Saens-WGBH-Classical-Performance Michael Lewin has been collecting piano pieces inspired by birds, and he plays some of them for us, in this live-to-air performance at the Fraser studio. *** Saint Saens: The Swan; Trad., arr. Michael Lewin: Turkey in the Straw; Alabieff, arr. Liszt: The Nightingale; Liszt: Mephisto Waltz No. 1. Michael Lewin, piano +++ Watch for Michael Lewin's upcoming CD: "If I Were a Bird". More information at http://www.michaellewin.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 6th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Michael Lewin has been collecting piano pieces inspired by birds, and he plays some of them for us, in this live-to-air performance at the Fraser studio. *** Saint Saens: The Swan; Trad., arr. Michael Lewin: Turkey in the Straw; Alabieff, arr. Liszt: The Nightingale; Liszt: Mephisto Waltz No. 1. Michael Lewin, piano +++ Watch for Michael Lewin's upcoming CD: "If I Were a Bird". More information at http://www.michaellewin.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 6th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Michael Lewin has been collecting piano pieces inspired by birds, and he plays some of them for us, in this live-to-air performance at the Fraser studio. *** Saint Saens: The Swan; Trad., arr. Michael Lewin: Turkey in the Straw; Alabieff, arr. Liszt: The Nightingale; Liszt: Mephisto Waltz No. 1. Michael Lewin, piano +++ Watch for Michael Lewin's upcoming CD: "If I Were a Bird". More information at http://www.michaellewin.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 6th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-05-01,24527827 Fri, 01 May 2009 15:23:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24919015-Classical-Performance-Podcast-Michael-Lewin-plays-Liszt-Lewin-and-Saint-Saens Michael Lewin has been collecting piano pieces inspired by birds, and he plays some of them for us, in this live-to-air performance at the Fraser studio. *** Saint Saens: The Swan; Trad., arr. Michael Lewin: Turkey in the Straw; Alabieff, arr. Liszt: The Nightingale; Liszt: Mephisto Waltz No. 1. Michael Lewin, piano +++ Watch for Michael Lewin's upcoming CD: "If I Were a Bird". More information at http://www.michaellewin.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 6th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Michael Lewin has been collecting piano pieces inspired by birds, and he plays some of them for us, in this live-to-air performance at the Fraser studio. *** Saint Saens: The Swan; Trad., arr. Michael Lewin: Turkey in the Straw; Alabieff, arr. Liszt: The Nightingale; Liszt: Mephisto Waltz No. 1. Michael Lewin, piano +++ Watch for Michael Lewin's upcoming CD: "If I Were a Bird". More information at http://www.michaellewin.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 6th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Michael Lewin has been collecting piano pieces inspired by birds, and he plays some of them for us, in this live-to-air performance at the Fraser studio. *** Saint Saens: The Swan; Trad., arr. Michael Lewin: Turkey in the Straw; Alabieff, arr. Liszt: The Nightingale; Liszt: Mephisto Waltz No. 1. Michael Lewin, piano +++ Watch for Michael Lewin's upcoming CD: "If I Were a Bird". More information at http://www.michaellewin.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 6th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-30,24919015 Thu, 30 Apr 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24499479-Jonathan-Crow-Douglas-McNabney-and-Matt-Haimovitz-play-Bach-WGBH-Classical-Performance Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-24,24499479 Fri, 24 Apr 2009 13:27:20 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698054-Jonathan-Crow-Douglas-McNabney-and-Matt-Haimovitz-play-Bach-WGBH-Classical-Performance Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-24,24698054 Fri, 24 Apr 2009 13:27:20 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24499480-Canons-in-the-Goldberg-Variations-WGBH-Classical-Performance Bach was forever finding new and amazing variations on a beautiful melody. Here's some insight into how he did it, from last week's live performance. *** Jonathan Crow, Douglas McNabney and Matt Haimovitz, in conversation with WGBH's Cathy Fuller. +++ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach was forever finding new and amazing variations on a beautiful melody. Here's some insight into how he did it, from last week's live performance. *** Jonathan Crow, Douglas McNabney and Matt Haimovitz, in conversation with WGBH's Cathy Fuller. +++ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach was forever finding new and amazing variations on a beautiful melody. Here's some insight into how he did it, from last week's live performance. *** Jonathan Crow, Douglas McNabney and Matt Haimovitz, in conversation with WGBH's Cathy Fuller. +++ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-24,24499480 Fri, 24 Apr 2009 13:10:43 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698055-Canons-in-the-Goldberg-Variations-WGBH-Classical-Performance Bach was forever finding new and amazing variations on a beautiful melody. Here's some insight into how he did it, from last week's live performance. *** Jonathan Crow, Douglas McNabney and Matt Haimovitz, in conversation with WGBH's Cathy Fuller. +++ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach was forever finding new and amazing variations on a beautiful melody. Here's some insight into how he did it, from last week's live performance. *** Jonathan Crow, Douglas McNabney and Matt Haimovitz, in conversation with WGBH's Cathy Fuller. +++ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach was forever finding new and amazing variations on a beautiful melody. Here's some insight into how he did it, from last week's live performance. *** Jonathan Crow, Douglas McNabney and Matt Haimovitz, in conversation with WGBH's Cathy Fuller. +++ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-24,24698055 Fri, 24 Apr 2009 13:10:43 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25383434-Classical-Performance-Podcast-Jonathan-Crow-Douglas-McNabney-and-Matt-Haimovitz-play-Bach Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-23,25383434 Thu, 23 Apr 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24919016-Classical-Performance-Podcast-Jonathan-Crow-Douglas-McNabney-and-Matt-Haimovitz-play-Bach Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Bach's Goldberg Variations are brilliant as keyboard pieces, but you can hear their elaborate detail much more clearly in this remarkable arrangement for String Trio. *** J.S. Bach: Goldberg Variations, BWV.988. Jonathan Crow, violin; Douglas McNabney, viola; Matt Haimovitz, cello +++ More information: http://oxingale.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 17th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-23,24919016 Thu, 23 Apr 2009 21:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24464906-Yaron-Kohlberg-plays-Schumann-WGBH-Classical-Performance Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-17,24464906 Fri, 17 Apr 2009 14:36:34 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698056-Yaron-Kohlberg-plays-Schumann-WGBH-Classical-Performance Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-17,24698056 Fri, 17 Apr 2009 14:36:34 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/25383435-Classical-Performance-Podcast-Yaron-Kohlberg-plays-Schumann Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-16,25383435 Thu, 16 Apr 2009 22:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24919017-Classical-Performance-Podcast-Yaron-Kohlberg-plays-Schumann Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Robert Schumann was a critic and a composer, and in his words he was often critical of the "Philistines" in music - those who promoted conservative and ordinary talent. He gathered together a group of personalities called the "Davidsbundler", to fight the Philistines, and even wrote this set of intensely personal dances to celebrate this "Band of David". We hear it played by Yaron Kohlberg. *** Schumann, Robert: Davidsbundlertänze, Op. 6. Yaron Kohlberg, piano +++ More info: http://www.yaronkohlberg.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on April 14th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-16,24919017 Thu, 16 Apr 2009 21:00:00 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24440832-The-Moet-Trio-plays-Dvorak-WGBH-Classical-Performance Dvorak sat down to compose his third Piano Trio just a few weeks after his mother passed away in 1882. In some of the passages you can hear how distraught he must have been at the time, but you also hear his amazing gift for melody. *** Dvorak: Piano Trio No. 3 in F minor, Op. 65 The Moet Trio +++ The Moet Trio is: Yuri Namkung, violin; Yves Dharamraj, cello; Michael Mizrahi, piano More info: http://moettrio.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 4th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Dvorak sat down to compose his third Piano Trio just a few weeks after his mother passed away in 1882. In some of the passages you can hear how distraught he must have been at the time, but you also hear his amazing gift for melody. *** Dvorak: Piano Trio No. 3 in F minor, Op. 65 The Moet Trio +++ The Moet Trio is: Yuri Namkung, violin; Yves Dharamraj, cello; Michael Mizrahi, piano More info: http://moettrio.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 4th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Dvorak sat down to compose his third Piano Trio just a few weeks after his mother passed away in 1882. In some of the passages you can hear how distraught he must have been at the time, but you also hear his amazing gift for melody. *** Dvorak: Piano Trio No. 3 in F minor, Op. 65 The Moet Trio +++ The Moet Trio is: Yuri Namkung, violin; Yves Dharamraj, cello; Michael Mizrahi, piano More info: http://moettrio.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 4th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-10,24440832 Fri, 10 Apr 2009 13:10:50 -0700 no Classical Performance podcast Audio Podcast http://odeo.com/episodes/24698057-The-Moet-Trio-plays-Dvorak-WGBH-Classical-Performance Dvorak sat down to compose his third Piano Trio just a few weeks after his mother passed away in 1882. In some of the passages you can hear how distraught he must have been at the time, but you also hear his amazing gift for melody. *** Dvorak: Piano Trio No. 3 in F minor, Op. 65 The Moet Trio +++ The Moet Trio is: Yuri Namkung, violin; Yves Dharamraj, cello; Michael Mizrahi, piano More info: http://moettrio.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 4th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Dvorak sat down to compose his third Piano Trio just a few weeks after his mother passed away in 1882. In some of the passages you can hear how distraught he must have been at the time, but you also hear his amazing gift for melody. *** Dvorak: Piano Trio No. 3 in F minor, Op. 65 The Moet Trio +++ The Moet Trio is: Yuri Namkung, violin; Yves Dharamraj, cello; Michael Mizrahi, piano More info: http://moettrio.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 4th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org Dvorak sat down to compose his third Piano Trio just a few weeks after his mother passed away in 1882. In some of the passages you can hear how distraught he must have been at the time, but you also hear his amazing gift for melody. *** Dvorak: Piano Trio No. 3 in F minor, Op. 65 The Moet Trio +++ The Moet Trio is: Yuri Namkung, violin; Yves Dharamraj, cello; Michael Mizrahi, piano More info: http://moettrio.com/ Recorded in a live broadcast at WGBH's Fraser Performance Studio on March 4th, 2009. ©2009 WGBH Educational Foundation. http://www.wgbh.org/classical email: classical@wgbh.org tag:odeo.com,2009-04-10,24698057 Fri, 10 Apr 2009 13:10:50 -0700 no Classical Performance podcast Audio Podcast